"FROM DUSK TILL DAWN"
"I earnestly wish an end would come to this bloody race I am
forced to run."
"La Comtesse Noire"
By Jess Franco
EXT. LIQUOR STORE - DAY
A convenience store in a Texas Suburb. No other businesses
CLOSE-UP: A light switch is flipped on.
The sign on top of the store lights up. It reads: BENNY'S
WORLD OF LIQUOR.
BIG SPRING, TEXAS
109 MILES WEST OF ABILENE
345 MILES EAST OF THE MEXICAN BORDER
A Texas Ranger patrol car pulls into the parking lot and a
real live Texas Ranger, EARL MCGRAW, steps out. McGraw is in
full ranger uniform -- button shirt, cowboy hat, boots,
mirrored shades, tin star and a colt revolver on his hip.
It's about an hour and a half before sundown and McGraw is
off duty for the day.
The only other car in the parking lot is a 1975 Plymouth
INT. BENNY'S WORLD OF LIQUOR - DAY
A young Hawaiian Shirt wearing man named PETE sits on a stool
behind the counter.
A few CLOSE-UP:STOMERS fiddle about.
A MAN wearing a black suit, black tie, and wire rim glasses
holds hands with a PRETTY BLONDE GIRL in cutoffs and bare
feet. They look through magazines.
Another black suit wearing MAN holds hands with a RED-HEADED
GIRL in a prep school uniform. They look through the beer
cooler in the back of the store. Both girls are around
MCGRAW enters the store.
Hot goddamn day!
Haven't felt it a bit. Been inside
with the air conditioner blastin'
all day long.
Not even for lunch?
I'm by myself today, ate my lunch
outta the microwave.
McGraw walks over to the beer cooler, as if done ritually
every night (it is), takes out a beer, pops it open and joins
Pete by the front counter.
Jesus Christ man, that microwave
food will kill ya as quick as a
bullet. Those burritos are only fit
for a hippie high on weed. Pull me
down a bottle of Jack Daniels. I'm
gettin' tanked tonight.
Awww, it's just been a shitass day.
Every inch of it hot and miserable.
First off, Nadine at the Blue Chip
got some sorta sick, so that Mongoloid
boy of hers was workin' the grill.
That fuckin' idiot don't know rat
shit from Rice Krispies. I ate
breakfast at nine, was pukin' up
pigs in a blanket like a sick dog by
Isn't there a law or something against
retards serving food to the public?
Well, if there ain't there sure oughta
be. Who knows what goes on inside
You could sue the shit out of her,
ya know. That kid belongs under a
circus tent, not flippin' burgers.
You could own that fuckin' place.
What the hell would I do with that
grease pit? Besides, Nadine's got
enough of a cross to bear just taking
care of that potato head. Then all
this Abilene shit happened. You heard
about that bank robbery in Abilene,
That's all that's been on the box
all day. They killed some people
Four Rangers, three cops, and two
civilians. And they took a lady bank
teller as a hostage.
Pete doesn't say anything.
They'll probably make a run for the
border, which would bring 'em this
way. And if we get our hands on those
shit asses, we're talking payback
time. We'll get 'em all right. I
gotta piss. I'm gonna use your
Knock yourself out.
McGraw drops his last drip of beer, crushes the can and exits
in the bathroom.
The black suited man by the beer cooler turns around and,
with the prep school girl in tow, walks rapidly toward Pete.
We see that the girl is crying.
BLACK SUITED MAN #1
Do you think I'm fuckin' playing
with you, asshole?
(points to the tearful
prep school girl)
Do you want this little girl to die?
(pointing to the blonde
with the other guy)
Or that little girl? Or your bosom
buddy with the badge? Or yourself? I
don't wanna do it, but I'll turn
this fuckin' store into the Wild
Bunch if I even think you're fuckin'
The two men in black suits are the notorious Abilene bank
robbers, SETH and RICHARD GECKO, "The Gecko Brothers." And
the other customers are all being held hostage. Seth is the
one with the prep girl. Richard is the one with the blonde.
Everybody speaks low and fast.
What do you want from me? I did what
Letting him use your toilet? No store
He comes in here every day and we
bullshit. He's used my toilet a
thousand times. If I told him no,
he'd know something was up.
I want that son-of-a-bitch out outta
here, in his car, and down the road
or you can change the name of this
place to "Benny's World of Blood."
Richard, holding tightly the hand of the terrified girl,
leans next to Seth's ear and whispers something. Seth looks
Were you giving that pig signals?
What? Are you kidding? I didn't do
Richard whispers something else in Seth's ear.
He says you were scratching.
I wasn't scratching!
You callin' him a liar?
Pete controls himself.
I'm not calling him a liar, okay?
I'm simply saying that if I was
scratching, and if I did scratch,
it's not because I was signaling the
cop, it's because I'm fuckin' scared
Richard speaks for the first time in a low calm voice to
The Ranger's taking a piss. Why don't
I just go in there, blow his head
off and get outta here.
Don't do that! Look, you asked me to
act natural, and I'm acting as natural --
in fact, under the circumstances, I
think I ought get a fuckin' Academy
Award for how natural I'm acting.
You asked me to get rid of him, I'm
doing my best.
Yeah, well, your best better get a
helluva lot fuckin' better, or you're
gonna feel a helluva fuckin' lot
The toilet FLUSHES.
Everybody be cool.
Everybody goes back to what they were doing.
McGraw steps back out of the back. He appears to be unaware
of the situation.
Yeah, and I'm gonna be right back at
it tomorrow. So tonight I'm gonna
sit in front of the box and just
drink booze. How much is the bottle?
Out of nowhere Richard WHIPS out his forty-five automatic
and SHOOTS McGraw in the head.
McGraw goes down screaming.
Richard stands over him and SHOOTS him twice more.
Seth charges forward.
What the fuck was that about?
(in a low monotone)
He signaled the Ranger.
You gotta believe me, I didn't.
When they were talkin', he mouthed
the words "Help Us."
You fuckin' liar, I didn't say shit!
Richard SHOOTS Pete and Pete falls down behind the counter.
Seth grabs Richard and throws him up against the wall.
What the fuck is wrong with you --
Seth, he did it. You were by the
beer cooler with your back turned. I
was by the magazines, I could see
his face. And I saw him mouth:
Richard mouths the words, "Help Us."
While Pete lies on the floor behind the counter bleeding
from his bullet wound, he opens his floor safe and pulls out
a gun from it.
Seth releases his brother.
Start the car.
You believe me don't cha?
Shut up and start the car.
Richard walks away from Seth and crosses the counter...
...when Pete SPRINGS up, gun in hand, and SHOOTS Richard in
Richard FALLS to his knees, howling.
Both Pete and Seth SPRAY the store with gunfire.
Seth DIVES down an aisle. He reloads.
Pete DUCKS behind the counter. He reloads.
Richard has crawled to safety behind an aisle.
The two girls have run out screaming.
Richie? You okay?
I'm not dead, but I'm definitely
shot! I told you that bastard said,
I never said help us!
Well that don't matter now, 'cause
you got about two fuckin' seconds to
When I count three, shoot out the
bottles behind him!
One... Two... Three.
The two brothers start FIRING toward the counter.
They HIT the bottles of alcohol on the shelf behind Pete.
Pete is crouched on the ground as glass, debris and alcohol
RAIN down on him.
Seth grabs a roll of paper towels from off a shelf.
Richard keeps FIRING.
Seth douses the paper towels with lighter fluid, sets it on
fire with his Zippo, then tosses it.
The flaming roll of paper towels FLIES through the air.
The fireball lands behind the counter.
The entire counter area immediately BURSTS INTO FLAMES. Pete
screams from behind the counter.
Seth smiles to himself and stands.
Richard shakes his head in amusement and stands.
Pete runs out from behind the counter, ENGULFED IN FLAMES
still holding his weapon and FIRING.
Seth and Richard hit the ground FIRING their .45's.
Pete, the human torch, FALLS like a tree into the Hostess
Seth and Richard rise from the rubble.
EXT. BENNY'S WORLD OF LIQUOR - DAY
They exit the store squabbling. The store is bursting into
What did I tell you? What did I tell
you? Buy the road map and leave.
What am I supposed to do, Seth? He
He didn't recognize shit.
Both Seth and Richard stand on opposite sides of the car.
Seth, I'm telling you, the way he
looked at us -- you especially -- I
knew he knew.
They both climb in the car, Seth behind the wheel. Seth starts
it up. The souped up engine ROARS to life. We can hear Seth
mumbling under the motor.
Low profile. Do you know what the
words "low profile" mean?
CLOSE-UP: SETH'S FOOT PUNCHES GAS.
The Plymouth tears out of the parking lot backwards, hits
the street, and speeds off down the road.
We CRANE UP HIGH to see the car leaving a trail of dust behind
it, as the store burns out of control.
OPENING CREDIT SEQUENCE.
Raunchy, honky-tonk MUSIC fills the theater.
EXT. TEXAS PANHANDLE - DAY
The Plymouth tears ass across Texas plains. As TITLES PLAY
OVER, we see Seth and Richard enjoying their getaway/road
trip. Seth behind the wheel, pops open a bottle of
prescription pills, empties out four of the red capsules in
his hand, pops them in his mouth, and washes it back with a
slug of Jack Daniel's from a pint bottle.
Richard looks at Seth through the hole in his hand. Like a
boxer, Richard wraps his wounded hand with gaffer's tape.
The camera leaves the boys, as they woosh down the street,
and goes along the length of the car to the trunk. It hangs
on the trunk. Then we see through the trunk, like Superman:
AN OLDER WOMAN tied up and helpless in the trunk.
The rest of the titles play over black as the song continues.
CREDIT SEQUENCE ENDS
EXT. EMMA AND PETE'S GRAVY TRAIN - DAY
Emma and Pete's Gravy Train is a truck stop off of Highway
SUBTITLE APPEARS AT THE BOTTOM OF THE SCREEN':
238 MILES FROM THE MEXICAN BORDER
INT. EMMA AND PETE'S GRAVY TRAIN - DAY
Emma and Pete's PATRONS are made up of regulars, truckers,
cowboys and road-weary travelers. The CAMERA DOLLIES through
the maze of tables, patrons, and waitresses.
It stops when it gets to a table occupied by the FULLER
FAMILY. The Fullers definitely fall into the road-weary
category. The members of the unit consist of the father,
JACOB, age 44, an ex-preacher, a good man with rough edges,
and his two children, KATE, age 19, is a young beauty who
possesses what can only be described as an apple pie
sensuality. She is dressed like a nice Christian girl,
complete with crucifix. SCOTT, age 16, is a Jacob's Vietnamese
adopted son. Scott is a likable, long-haired kid who always
wears a T-shirt with the name of the heavy metal garage band
he plays guitar for, "Precinct 13." The three of them are
wolfing down a late lunch.
We got about two more hours of day
light left. That'll get us into El
Paso, which is right next to the
border. We'll stop at a motel --
Stop? We're not going to actually
stop at a motel, are we?
Scott and Kate speak together, obviously repeating something
that Jacob has said about three hundred times.
SCOTT AND KATE
We've got a Winnebago. We don't need
those over priced roach havens. We're
Okay, Okay, maybe I was a little
overzealous, but give me a break, I
just bought it.
Scott and Kate continue the impersonation.
Why, just look at all this. You got
your kitchen --
-- you got your microwave --
-- you got your sink --
-- you got your shower --
-- see this, television!
Feel this, real wood paneling. That's
real wood, too, not that fake stuff.
Unless you two wiseacres wanna be
introduced to the joys of hitchhiking,
what say we drop this?
The truth hurts.
It's the bitterest of pills.
You two ought to start a stand-up
act, because you're just wasting
your humor on me.
Ain't it the truth.
Why do you want to stop?
Lie in the back, Dad, I'll drive us
Jacob gives Scott a look that says, "You aren't touching my
new motor home."
I just bet you would. Don't even
think about it. Besides, I want to
have one night's sleep in an honest-
to-goodness bed. The beds in the
home are okay, but they're not like
a real bed.
Hey, if we go to a motel, we can
I'll be right back. I'm gonna go to
Scott gets up from the table and walks out back to the
Jacob and Kate are left alone. There's an awkward moment of
Dad, when I called the machine to
check our messages there was one
from Bethel Baptist. Mr. Franklin
said he wouldn't permanently replace
you until we came back. He said when
we come home, if you still feel the
same way --
That's very nice of Ted, but I'll
call him tomorrow and tell him not
to bother waiting.
I didn't want to talk about this in
front of Scott because he gets upset.
But you don't believe in God anymore?
Not enough to be a pastor. Look, I
know this is hard on you kids. After
Jenny's death, this is probably the
last thing you need. But I can't do
it any longer. My congregation needs
spiritual leadership. Well, they
can't get that from me anymore. My
faith is gone. To answer your
question, yes, I do believe in Jesus.
But do I love them? No. After Jenny
died, I just thought, what's the
It's just, all our lives you've been
a pastor. For twenty years you've
preached trust in the lord. And then
one day you wake up and say fuck
I didn't say fuck him. I'm just not
That happens, you'll get it back.
Kate, give your old man a little
credit. Every person who chooses the
service of God as their life's work
has something in common. I don't
care if you're a preacher, a priest,
a nun, a rabbi or a Buddhist monk.
Many, many times during your life
you'll look at your reflection in
the mirror and ask yourself, am I a
fool? We've all done it. I'm not
going through a lapse. What I've
experienced is closer to awakening.
I'm not trying to shake your faith.
I've just decided not to devote my
life to God anymore.
What do you think Mom would say?
Mom's got nothing to say, she's dead.
CLOSE UP: COUNTER BELL. A hand slams down on it. RING.
INT. LOBBY - DEW DROP INN - DAY
Seth stands at the front desk of the Dew Drop Inn. A standard
issue Texas motel. Richard sits outside in the car. Nobody
responds to the bell. Seth BANGS it impatiently five times.
TEXAS VOICE (O.S.)
Hold your horses!
An OLD-TIMER walks through a curtain behind the counter.
He's eating a BBQ rib.
Whatcha think I want, ya mean old
bastard? I wanna room.
EXT. COURTYARD - DEW DROP INN - DAY
Richard sits in the car listening to Merle Haggard on the
radio. He watches from his perspective, Seth taking the
walking outside and getting in the car. Seth starts it up,
and drives them to their room.
Do they have cable?
Do they have an X-rated channel?
Do they have a waterbed?
They don't have anything except four
walls and a roof, and that's all we
Their car drives up to room #9, but they park backing up the
trunk close to the door.
The two brothers get out of the car.
(tossing Richie the
Open the door. We gotta do this fast.
Richie opens the door.
Seth goes to the trunk, looks around the court yard. It's
CLOSE UP: KEY going into the trunk lock, turning.
TRUNK POV: Seth looking into the camera.
SETH'S POV: A WOMAN in her late forties is lying scrunched
up in the trunk.
She is the HOSTAGE BANK TELLER from Abilene. She's stiff,
scared and looks an absolute mess.
Don't say a word.
The two brothers, quick as lightening, yank the woman out of
the trunk and whisk her into the motel room. SETH closes the
trunk, looks around for any Johnny eye-witnesses, doesn't
see any, slams the door.
INT. SETH AND RICHARD'S ROOM - DAY
Seth turns from the door, sees the hostage woman standing.
You. Plant yourself in that chair.
She sits down in the chair.
What are you planning on doing with --
-- I said plant yourself. Plants
don't talk. You wanna get on my good
side? Just sit still and don't make
She shuts up.
Richard slowly takes off his jacket. He winces from his wound.
Let me help you.
He helps him get his jacket off.
How's it feel?
How ya think, it hurts like a son-of-
Richie goes over to the bed and lies down on it. Seth takes
the pillow and stacks them for Richie to prop his back up
I got both rooms on either side of
us, so we don't gotta worry about
eavesdropping assholes. How's that
feel? You okay?
I'm gonna go get the money.
He heads for the door.
EXT. COURTYARD - MOTEL - DAY
Seth goes into the car, takes out a big suitcase. He scans
the perimeter with his eyes, goes back inside.
INT. MOTEL ROOM #9 - DAY
Seth comes back in, lays the suitcase on the bed. Richie has
the TV remote control in his hand and he's flipping stations.
Seth looks at his watch.
It's about five o'clock.
What time does it get dark around
Good. I'm going towards the border
to check things out while it's still
daylight. Call Carlos and arrange
Hey, when you talk to him, see if
you can arrange a better deal than
That's their standard deal, brother.
They ain't about to change it for
Did you even to try to negotiate?
These guys ain't spic firecracker
salesman from Tijuana. They don't
even know the meaning of the word
"barter". You wanna stay in El Ray?
You give them thirty percent of your
loot. It's scripture. So it is
written, so shall it be done. You
want sanctuary, you pay the price,
and the price is thirty percent.
All I'm saying --
-- This conversation is over.
Richie shrugs and turns back to TV, Seth turns to the hostage,
grabs a chair and slides it up in front of her.
Now, we need to have a talk. What's
He shakes her hand.
Hello, Gloria, I'm Seth and that's
my brother Richie. Let's cut to the
chase. I'm gonna ask you a question
and all I want is a yes or no answer.
Do you want to live through this?
Good. Then let me explain the house
rules. Follow the rules, we'll get
along like a house on fire. Rule
number one: No noise, no question.
You make a noise...
(he holds up his .45)
...Mr. 45 makes a noise. You ask a
question, Mr. 45 answers it. Now are
you absolutely, positively clear
about rule number one?
Rule number two: You do what we say,
when we say it. If you don't, see
rule number one.
Seth takes the .45, places the barrel next to the woman's
cheek. She squirms and shuts her eyes. He pulls back the
Rule number three: Don't you ever
try and fuckin' run on us. 'Cause I
got five little friends, and they
all run faster'n you can. Got it?
She nods her head yes.
He takes the gun away and replaces the hammer.
Open your eyes.
Gloria, you hang in there, follow
the rules, and don't fuck with us,
you'll get out of this alive. I give
you my word. Okay?
She nods her head yes.
I'll be back in a bit.
Richard looks to the TV, then looks to Gloria sitting across
the room in the chair.
Wanna come up here on the bed and
watch TV with me?
You can tell she doesn't want to.
He pats the empty space next to him.
She gets out of her chair, walks across the bed, and sits
next to him.
EXT. PHONE BOOTH - DAY
A phone booth outside of a gas station. Seth is in the middle
of a conversation with the party on the other end.
Things are real hot here. Crossing's
gonna be a bitch.
Don't worry, we'll get across. But
when we do, where do we go?
Can we make it as close to the border
as possible? Texas wants our balls.
The quicker we're in your protection,
the better I'll feel.
The Titty Twister?
I love it already. Okay, Carlos,
I'll see you and your men at the
"Titty Twister" tomorrow morning.
Bye, my friend.
Seth hangs up the phone, lights up a cigarette with his Zippo
lighter and exits frame. After Seth exits, leaving the frame
empty, a subtitle appears:
5 MILES FROM THE MEXICAN BORDER
INT. SETH AND RICHARD'S MOTEL ROOM - NIGHT
Richard lies on the bed by himself, propped up by pillows,
watching TV, taking on hits from a water bong in the shape
of a wizard.
A local newscaster named KELLY HOUGE is reporting a story
about the brothers.
(talking to camera)
This bloody crime spree started just
a week ago today. The oldest of the
MUG SHOT OF SETH
KELLY HOUGE (V.O.)
...Seth Gecko was serving time in
Rolling's Kansas State Penitentiary
for his part in the 1988 Scott City
bank robbery in which two law
enforcement officers lost their lives.
BACK TO KELLY
Having served eight years of his
twenty-two year sentence, Seth Gecko
was brought to Wichita Municipal
court house for his first parole
hearing. It was while at the court
house that this man...
MUG SHOT OF RICHARD GECKO
KELLY HOUGE (V.O.)
...his younger brother Richard Gecko,
a known armed robber and sex offender,
pulled off a daring daylight escape...
BACK TO KELLY
...resulting in the death of four
Wichita law enforcement officers,
and this woman...
PHOTO OF WOMAN SMILING
KELLY HOUGE (V.O.)
...Heide Vogel, sixth grade teacher
who was run over by the Geckos during
a high speed pursuit through downtown
MAP OF AMERICA
A red line travels from Wichita to Oklahoma.
KELLY HOUGE (V.O.)
From there the brothers traveled
from Kansas through Oklahoma...
The red line enters Texas and the camera moves into Texas.
KELLY HOUGE (V.O.)
...into the great state of Texas,
and then finally...
WE ZOOM in on a red-circled Abilene.
KELLY HOUGE (V.O.)
We hear GUNFIRE and SCREAMS.
EXT. THE CRIMINAL COURT BUILDING - DAY
Kelly Houge walks down the courthouse steps of the criminal
courts building of Abilene. She talks to the camera. Cops,
lawyers and citizens bustle in the background.
The list of the dead climbed up three
more notches since our last telecast.
PHOTO: OFFICER SHERMAN GOODELL in full police uniform.
KELLY HOUGE (V.O.)
Officer Sherman Goodell, who was in
intensive care following the gun
battle outside of the Valley Federal
EXT. COURTHOUSE - DAY
Kelly Houge standing on the court house steps talking into
...died about forty-five minutes ago
at Hopkins General hospital. And
about six hours ago, during a daylight
liquor store robbery in Big Springs,
The Gecko Brothers killed another
PHOTO: EARL MCGRAW in uniform.
KELLY HOUGE (V.O.)
PHOTO: PETE in a Hawaiian shirt holding up a big fish.
KELLY HOUGE (V.O.)
...and liquor store clerk Pet Bottoms.
VIDEO FOOTAGE: Of Benny's World of Liquor burning down.
KELLY HOUGE (V.O.)
Then they proceeded to burn the store
down to the ground.
VIDEO GRAPHIC: Picture of The Gecko Brothers with a tally
THE GECKO BROTHERS
WICHITA JAIL BREAK
VALLEY FEDERAL BANK ROBBERY
BIG SPRINGS CONVENIENCE STORE ROBBERY
TEXAS RANGERS - POLICE OFFICERS - CIVILIANS
4 7 2
That changes the death toll to
(It changes under
Five Texas Rangers...
Eight police officers...
BACK TO KELLY
And one hostage...
PHOTO: GLORIA HILL
KELLY HOUGE (V.O.)
...bank teller and mother of four,
KELLY TO CAMERA
Heading the case to bring these
fugitives to justice is FBI agent
Stanley Chase. We talked with agent
Chase earlier this afternoon.
Kelly Houge interviewing STANLEY CHASE of the FBI.
For the time being we are very
confident we will apprehend the
fugitives in the next forty-eight
hours. The Bureau, local law
enforcement and the Texas Rangers
have all joined forces in forming a
dragnet to snare Seth and Richard
Agent Chase, does it appear that
they are heading for Mexico.
Yes, it does, Kelly. We have already
alerted the Mexican authorities.
They intend to cooperate every way
possible in bringing these fugitives
Are you optimistic about the safety
of the hostage they took in Abilene,
We've received no news one way or
the other. We can only hope for the
What about the report from an
eyewitness at the liquor store who
said one of the brothers was shot?
This can't be confirmed at this time,
but we do believe it to be true. We
have reason to believe it was the
youngest brother Richard, and he was
shot in the vicinity of his neck and
shoulders by the store's clerk.
Is it safe to assume that because
the death count involved and the
loss of life of law enforcement
officers, that the Bureau, the Rangers
and the police force are taking this
I would say that's a very safe
Is it safe to assume since the law
enforcement authorities in the great
state of Texas are homosexuals of a
sick and deviate nature, that they
will be too busy fucking each other
up the ass to actually catch The
(in an FBI voice)
I would say that's a very safe
He changes a channel on the television. We see a Casper the
Friendly Ghost cartoon on the screen.
Would you play with me?
A big burly COP turns around.
Sure, little boy... A GHOST!!!
The cop heads for the hills. Casper cries.
Seth enters the room carrying a six pack of beer and two
take-out bags of Big Kahuna burgers.
Shit, I started to get worried. Where
the fuck ya been?
What'd ya see?
Didya look at the border?
Seth dumps the burgers on the bed. Both men pop open beers
and Richard goes to town on a hamburger. Seth flips off the
Yeah, I saw the border. Through
binoculars from on top of a high
building. That's about as close as I
risked getting. What's the TV say?
They're going to apprehend us in
Seth sits down and takes a hit off his beer.
I gotta figure a way to get across
that goddamn border. Longer we fuck
around El Paso our lives ain't worth
Look, fuck the border. Let's just
dig in and wait for things to cool
Richie, it's gonna get a lot fuckin'
worse before it gets any fuckin'
better. We showed our ass in Texas.
We killed Texas fuckin' Rangers.
They ain't gonna stop lookin' till
they find us, and when they find us,
they're gonna kill us. Texans take
it very personal when ya kill their
law enforcement officers. The El
Paso police have already started a
motel and hotel search for us.
How do you know?
I heard it on the radio. We gotta
get our asses into Mexico tonight.
Carlos is gonna meet us tomorrow
morning at a rendezvous on the other
side, then Carlos and his boys will
escort us to El Ray and --
Seth stops talking and looks around.
Where's the woman?
Seth's out of his chair.
What'd ya mean, what? The fuckin'
woman, the hostage. Where the fuck
is she, Richard!?
She's in the other room.
What the fuck is she doin' there?!
He goes to the door of the adjoining room.
Seth, before you open the door, let
me explain what happened.
Seth stops and looks at his brother. He knows what he means.
He can't say anything, only point at his younger sibling.
Then he BURSTS open the door.
The dead, naked body of Gloria Hill lies on the bed. It's
obvious Richard raped her and killed her.
Seth covers his eyes with his hands. He slowly enters the
room with the dead body.
Oh, Richard, what's wrong with you?
Richard rises from the bed.
Now, Seth, before you flip out, let
me just explain what happened.
Seth slowly turns to his brother, then walks toward him.
Richard backs up.
Yeah, explain it to me. I need an
explanation. What's the matter with
(low and calm)
There's nothing wrong with me,
brother. That woman tried to escape
and I did what I had to do.
That woman wouldn't of said shit if
she had a mouthful.
Wrong, wrong, wrong, wrong, wrong,
wrong, wrong! Once you left, she
became a whole different person.
Is it me? Is it my fault?
It's not your fault, it's her fault!
Seth grabs Richard and THROWS him in the corner of the room,
holding tightly to his wrist.
Is this my fault? Do you think this
is what I am?
This is not me! I am a professional
fucking thief. I steal money. You
try to stop me, god help you. But I
don't kill people I don't have to,
and I don't rape women. What you
doin' ain't how it's done. Do you
Seth, if you were me --
Just say yes! Nothing else, just say
Yes, Seth, I understand.
Yes, Seth, I understand.
Seth hugs his little brother. Tight.
(whispers in Richie's
We get into Mexico, it's gonna be
sweet Rosemary, hundred-proof liquor,
and rice and beans. None of this
shit's gonna matter.
INT. MOTOR HOME - NIGHT
Scott and Kate are in the front seat of their parked motor
home. The motor home's parked in front of the Dew Drop Inn's
front office. We see Jacob inside getting a room from the
I can't believe he's stopping here.
This place looks totally cruddy.
Jacob walks out of the office. Kate yells from the motor
Dad, why are we stopping here?
He opens the meter home door and climbs in.
There's nothing wrong with this place.
It's a flop house.
It's not a flop house. It's basic
and simple. That doesn't make it a
If it doesn't have a pool, we're
looking for a new place.
Starting the huge car and slowly maneuvering it through the
It has a bed. That's all I care about.
Other places have beds, they also
have cable TV, a gym, room service...
EXT. COURTYARD - NIGHT
Seth walks out of room #9 with a beer in his hand. He's
thinking about how he's going to get over the border tonight.
Lost in thought, he steps out in the path of the Fuller's
Jacob slams on the brakes. Seth jumps back, startled. Both
Kate and Scott are TOSSED out of their seats onto the floor.
Owww, my head.
Jacob (pissed) honks his horn at Seth and yells out the
Watch where you're going!
Seth just stands right in their way without moving, gazing
up at the giant motor home.
JACOB BEHIND THE WHEEL
Kate and Scott join him up front looking at this weirdo.
What's this guy's problem?
I have no idea.
Seth continues standing in their way, making no attempt to
move. Not threatening, just looking at them.
The horn snaps Seth back to this world. A smile breaks out
on the escaped fugitive's face and he politely steps to one
side to let them pass.
Pass they do!
The Sword of Damocles is lifted from
above Seth's head. He's just solved
a problem that a mere thirty seconds
ago seemed unsolvable. He knows
exactly how he's going to cross the
border. Whistling a happy tune, he
turns and walks back into room #9.
INT. FULLERS' MOTEL ROOM - NIGHT
The Fullers are in room #12. It's identical to the one that
the Gecko boys are in, except that the paintings above the
beds are different. Jacob has fallen asleep in his clothes
on the bed.
Scott sits in a chair, headphones on, playing an unplugged
electric guitar. Kate is nowhere in sight.
KNOCK... KNOCK... KNOCK... on the door. Scott doesn't hear
shit but his music. Jacob stirs a bit, but doesn't wake up.
POUND... POUND... POUND... on the door. Jacob SPRINGS UP.
He looks over at Scott, who, lost in guitar heaven, is
oblivious of the knocker, then to the door.
From the other side of the door comes a friendly voice.
I'm your neighbor in room 9, I hate
to disturb you, but I'd like to ask
Jacob swings his feet to the floor, stands up and walks to
the door. As he passes Scott, he says, in his direction --
I hope none of this is disturbing
Scott can't hear him, but when he sees his dad look at him,
Jacob opens the door and sees...
...Richard Gecko standing in the doorway, looking like the
nicest guy in the entire world.
Hi there, I'm from room 9, my name
is Don Cornelius. No, not the Don
Cornelius from Soul Train. Me and my
lady friend need some ice and we
don't seem to have an ice bucket.
Could we possibly borrow yours? I'll
bring it right back.
(still partially asleep)
We follow Jacob as he turns to the dresser to get the motel
ice bucket. He grabs it, turns back to the door, takes a
couple of steps towards it, then stops: in his tracks.
He sees Richard and Seth both inside the room with the door
closed, both with .45's in their hands, both aimed at him.
What is this?
Seth SLUGS Jacob in the mouth, KNOCKING him to the ground.
It's called a punch.
Scott suddenly becomes aware of what's going on around him
and instinctively stands. Richard shoves his .45 in Scott's
Scott lowers himself back down onto his seat.
Jacob lifts his head off the floor and wipes blood away from
his lip. He looks at his opponent who stands over him.
What's your name?
Okay, Jacob, get up and sit your ass
down on the bed. Make a wrong move
and I'll shoot you in the face.
Jacob rises and sits on the edge of the bed.
Okay, move the Jap over there.
Keeping the gun in Scott's mouth, Richard makes Scott rise...
...guiding him over to the bed by his father.
Richard removes the gun from Scott's mouth and stands next
to his brother, looking down at their two hostages.
(to his hostages)
What's the story with you two? You a
couple of fags?
He's my son.
How does that happen? You don't look
Neither does he. He looks Vietnamese.
Oh, well, excuse me all to hell.
What's this about, money?
It's about money, all right, but not
yours. You see, me and my brother
here are in a little hot water and
we need your assistance.
The door to room #12 opens and a dripping wet, bikini clad
Kate walks in.
The brothers spin their guns in her direction.
Kate, startled, screams. Jacob and Scott get on their feet
and move forward. Seth spins back towards the two men, gun
ready to spit.
(to Scott and Jacob)
Jacob and Scott freeze.
Richard moves like quicksilver, shutting the door and
positioning himself behind the terrified Kate.
What's going on?
We're having a wet bikini contest,
and you just won.
It's okay, honey. Everything's going
to be all right.
Just listen to daddy, sugar, and
don't do nothin' stupid.
(he turns to Jacob
and Scott, who are
You two, Simon says sit the fuck
They slowly sit.
Richard can't take his eyes off the dripping wet Kate.
Both Jacob and Seth see this and neither men like it. Both
for their own reasons.
Where are the keys to the motor home?
On the dresser.
Richie, take the keys. Start that
big bastard up, and drive it up front.
Richard doesn't move from his position behind Kate. Kate
feels his eyes on her. She slowly turns and looks at him.
He looks in her face.
She smiles at him.
Richie, will you do me a favor and
eat my pussy?
Richard's eyes go to Seth.
Everybody is where they were. Kate never turned around.
Not when you get around to it, now.
Without saying a word, he takes the keys and leaves the room.
(pointing at Kate)
You, Gidget, go in the bathroom and
put on some clothes.
She grabs some clothes from the floor and moves towards the
Seth GRABS her wrist.
You got three minutes. One second
longer, I shoot your father in the
face. Do you understand what I just
Do you believe me?
You damn well better. Go.
She goes into the bathroom.
Look, if you want the motor home,
just take it and get out.
Seth grabs a chair and slides it up to his two male hostages.
Sorry, Pops, it ain't gonna be that
We hear the motor home "HONK" twice outside.
Get ready to move out, we're all
going on a little ride.
Jacob shakes his head "no."
Not a chance.
If you're taking people, take me.
But my kids aren't going anywhere
Sorry, I need everybody.
My children are not going with you,
and that's that.
That's not fuckin' that...
(holds up his gun)
this is fuckin' this.
(he calms down and
looks at Scott)
Go sit over there.
Scott gets up and walks to the other side of the room, leaving
the two men alone. Seth speaks in a quiet, conversational
I ain't got time to fuck around with
you, so I'll make this simple. Take
your kids and get in the car, or
I'll execute all three of you right
(he cocks the gun and
puts it right in
What's it gonna be, yes or no answer?
Jacob looks at him.
Your old man's all right, he just
saved your life.
Seth BANGS on the bathroom door.
Times up, Princess.
The bathroom door opens. Kate stands there, wearing a T-shirt,
jeans and bare feet.
Okay, ramblers, let's get to rambling.
EXT. HIGHWAY - NIGHT
The motor home with the powder-keg interior drives through
the Lone Star night.
INT. MOTOR HOME NIGHT
Richard's in the back bed area with a gun trained on Kate
and Scott. The two scared siblings hold hands.
Richard zeros in on her.
Where are you taking us?
What's in Mexico?
He doesn't smile.
In the front part of the motor home, Jacob sits behind the
wheel, driving into the night. Seth sits in the passenger
seat, going through Jacob's wallet and talking to him calmly.
(reading his driver's
Jacob Fuller. Jacob, that's biblical,
ain't it? What am I askin' for, of
course it is.
(motioning behind him)
What are their names?
Scott and Kate.
Seth repeats the names as he thumbs through the wallet.
Scott and Kate... Kate and Scott...
Scott Fuller... Kate Fuller...
Seth comes to a snapshot of Jacob and his wife.
Where is the little lady?
Yes, she is.
How'd she die?
Come on, gimme some more details.
How'd it happen? Some fuckin' drunk
No. It was a rainy night, the brakes
on the car weren't great. She had to
stop suddenly. She slid on the road,
she crashed, she died.
Not quite. She was trapped in the
wreck for about six hours before she
Whewww! Those acts of God really
stick it in and break it off, don't
Yes, they do.
Seth looks back at the wallet. He sees Jacob's minister's
Is this real?
I've seen one of these before. A
friend of mine had himself declared
a minister of his own religion. Away
to fuck the IRS. Is that what you're
doing, or are you the real McCoy?
You're a preacher?
I was a minister.
Was? As in not anymore?
Why'd ya quit?
I think I've gotten about as up close
and personal with you as I'm gonna
get. Now if you need me like I think
you need me, you're not gonna kill
me 'cause I won't answer your stupid,
prying questions. So, with all due
respect, mind your own business.
I seem to have touched a nerve. Don't
be so sensitive, Pops, let's keep
this friendly. But you're right,
enough with the getting to know you
shit. Now, there's two ways we can
play this hand. One way is me and
you go round an' round all fuckin'
night. The other way, is we reach
some sort of an understanding. Now,
if we go down that first path at the
end of the day, I'll win. But we go
down the second, we'll both win.
Now, I don't give a rat's ass about
you or your fuckin' family. Y'all
can live forever or die this second
and I don't care which. The only
things I do care about are me that
son-of-a-bitch in the back, and our
money. And right now I need to get
those three things into Mexico. Now,
stop me if I'm wrong, but I take it
you don't give a shit about seeing
me and my brother receiving justice,
or the bank getting its money back.
Right now all you care about is the
safety of your daughter, your son
and possibly yourself. Am I correct?
I thought so. You help us get across
the border without incident, stay
with us the rest of the night without
trying anything funny, and in the
morning we'll let you and your family
go. That way everybody gets what
they want. You and your kids get out
of this alive and we get into Mexico.
How do I know you'll keep your word?
Jesus Christ, Pops, don't start with
You want me to sit here and be
passive. The only way being passive
in this situation makes sense is if
I believe you'll let us go. I'm not
there yet. You have to convince me
you're telling the truth.
Look, dickhead, the only thing you
need to be convinced about is that
you're stuck in a situation with a
coupla real mean motor scooters. I
don't wanna hafta worry about you
all fuckin' night. And I don't think
you wanna be worrying about my
brother's intentions toward your
daughter all night. You notice the
way he looked at her, didn't ya?
Didn't like it, did ya?
No, I didn't.
Didn't think so. So, as I was saying,
I'm willing to make a deal. You
behave, get us into Mexico, and don't
try to escape. I'll keep my brother
off your daughter and let you all
loose in the morning.
You won't let him touch her?
I can handle Richie, don't worry.
The two men look at each other for some measure of trust.
Seth sticks out his hand.
I give you my word.
Seth can't help but think about the last time he gave his
(hand sticks out)
My words, my law. Better you not
take it, and that's just where we
are, then take it and not mean it.
Jacob takes his hand, but looks right into Seth.
If he touches her, I'll kill him. I
don't give a fuck how many guns you
have, nothing will stop me from
Fair enough. You break your word,
I'll kill all of you.
(calling to the back)
You must have a bible in here, don't
Yeah, we got a bible.
Get it and bring it up here, will
Kate goes into a drawer, pulls out a bible and brings it up
Hold it right there, sweetie pie.
Put your hand on it.
Swear to God, on the Bible, you won't
try to escape and you'll get us across
I swear to God I won't try to escape
and I'll do my best to get you into
You best better get it done, Pops.
Seth places his hand on the Bible.
I swear to God I'll let you loose in
the morning. And your daughter will
be safe. And I also swear if you do
anything to fuck me up, I'll slit
all your throats.
TIME CUT TO:
INT. MOTOR HOME - NIGHT
Richard's in the back with Kate and Scott. Richard,
expressionless, looks at Kate's bare feet.
SLOW ZOOM KATE'S BARE FEET
EX CLOSE-UP KATE'S TOES. They wiggle.
His eyes go to her hands.
SLOW ZOOM KATE'S HANDS EX CLOSE-UP KATE'S FINGERS
His eyes go to her neck.
SLOW ZOOM NAPE OF KATE'S NECK
EX CLOSE-UP KATE'S ADAM'S APPLE. She swallows.
His eyes move up.
SIDE PROFILE OF KATE, SLOW ZOOM TO KATE'S LIPS
Back to Richard.
Did ya mean what you said back there?
Kate turns to him.
In the room. Were you serious, or
were you just foolin' around? I'm
just bringing it up, 'cause if you
really want me to do that for you, I
(in a whisper)
What you said to me in the room.
What did I say?
You asked me if I would --
Seth and Jacob.
I told you to watch those kids, I
didn't say talk to 'em. You guys
ain't got nothin' to say to one
another. So cut the chatter.
Richard turns to Kate.
We'll talk later.
Kate still hasn't a clue what he means.
EXT. THE MEXICAN BORDER - NIGHT
Automobiles are lined up, waiting one by one to go into
Mexico. Cop cars with their red and blue lights flashing are
all over the place. Border Patrol men and Police are stopping
all cars. Pulling up to the end of the line is the Fuller's
INT. MOBILE HOME - NIGHT
Jacob at the wheel, Seth in the passenger seat. Seth jumps
up and goes into action.
Okay everybody, it's show time.
Richie, take Kate in the bathroom.
Richard grabs the terrified Kate and drags her in the
Scott, you come up front with your
Scott does. Seth, keeping low, gets behind Jacob.
I'm telling you, don't hurt her.
As long as you're cool, she'll be
cool. What're ya gonna say?
I don't have the slightest idea.
Well, you just keep thinkin' of that
gun next to Kate's temple.
Seth disappears into the bathroom with Kate and Richard,
closing the door behind him.
Father and son are alone for the first time since this whole
What are you gonna do?
I'm gonna try and get us across the
No, dad, you gotta tell 'em that
they're back there.
Jacob is surprised to hear Scott say this.
INT. BATHROOM - MOBILE HOME - NIGHT
The bathroom, which consists of a shower, a toilet and a
small sink, is a tight fit with three people in it.
Richard has his back against the wall, with his arm around
Kate, holding her in front of him. One hand is over her mouth,
the other holds a .45 against her head.
Kate's eyes are wide with fear.
Seth stands, .45 in hand, ready to fire if the wrong person
should open the door.
Everybody talks low and quiet.
This isn't gonna work.
Shut up. It's gonna work just fine,
I just want to go on record as saying
this is a bad idea.
Duly noted. Now, shut up.
Everyone's quiet for a second, till Richard breaks it.
They're gonna search the van.
As long as you don't act like a
fuckin' nut, we'll be just fine.
What does that mean?
Richard lets Kate go, she quickly moves to the side.
You just called me a fuckin' nut.
No, I didn't.
Yes, you did. You said as long as I
don't act like a fuckin' nut, implying
that I've been acting like a fuckin'
Take a pill, kid. I just meant stay
You meant that, but you meant the
Kate can't believe what she's watching. Neither can Seth.
(serious as a heart
This ain't the time, Richard.
(his voice rising)
Fuck those spic pigs! You called me
a fuckin' nut, and where I come from,
that stops the train on its tracks.
(real quiet and violent)
Keep your voice down.
BACK TO JACOB AND SCOTT
Have you forgotten about your sister?
They're gonna kill us. They get us
across the border, they're gonna
take us out in the desert and shoot
If they get over the border, they're
gonna let us go.
Dad, I watch those reality shows.
They never let anybody go. Any cop
will tell you, in a situation like
this, you get a chance, you go for
it. This is our chance.
What about Kate?
They're gonna kill her anyway. At
least now with all these cops we've
got a fighting chance.
Son, I have this situation under
control. I know exactly what I'm
doing. You're going to have to trust
me on this.
If trusting you means trusting those
fuckin' killers, I can't do that. If
you don't tell the cops, I will.
Jacob grabs Scott by the front of his shirt, and yanks him
Now, you listen to me. You ain't
gonna do a goddamn fucking thing,
you hear me! Nobody cares what you
think, I'm running this show, I make
He's running the show.
I'm running the show. I make the
plays, and you back the plays I make.
Stop thinking with your fucking balls.
Kate in a room with a couple of
desperate men with nothing to fucking
lose ain't the time to "go for it."
I need your cover. Cover my ass.
There's a HONK behind them.
They both look out the window. It's their turn with the BORDER
PATROL GUARDS. JACOB takes the wheel and drives up.
A stern BORDER GUARD approaches JACOB'S window.
How many with you?
Just my son and I.
What is your purpose in Mexico?
Vacation. I'm taking him to see his
BACK TO BATHROOM
I'm curious. What was the nuttiest
thing I did?
This ain't the time.
Oh, I know, was it possibly when
your ass was rotting in jail and I
broke it out? Yeah, you're right,
that was pretty fuckin' nutty. Not
to mention stupid. But you know what?
I can fix that right now.
SETH HAULS off and PUNCHES Richard smack in the head. Richard
HITS the floor, Guard, Jacob, and Scott hear Richard fall in
What was that?
Oh, that's just my daughter in the
You said it was just you and your
I meant me, my son and my daughter.
CLOSE-UP BORDER GUARD
Open the door. I'm coming aboard.
BACK TO BATHROOM
We can only see Kate's face. It's scared. We hear rustling
around the bathroom, but we don't know what it is.
Then it's quiet. Then we hear talking outside the door, but
we can't make it out. Then we hear a knock.
I'm in the bathroom.
BORDER GUARD (O.S.)
It's the Border Patrol. Open up.
We hear the door open and see the light change on Kate's
face. She's looking up.
BORDER GUARD in the doorway looking in.
HE SEES: Kate by herself, pants around her ankles, sitting
on the toilet.
Do you mind? Shut the fucking door.
He closes the door. Kate lets out a breath. We wait a beat,
Seth pulls back the curtain in the shower, we see Richie on
the floor of the shower knocked out.
Seth and Kate meet eyes.
He gives her the O.K. signal.
BACK WINDOW MOTOR HOME
We see through the back window of the motor home, the border
getting smaller as we drive away from it.
Scott knocks on the bathroom door.
Seth BURSTS out of the bathroom.
Goddamn, that was intense!
Seth goes to the back window. He sees the border getting
farther and farther away. No cars following.
We did it.
We're in Mexico.
Seth throws his head back and SCREAMS for joy.
Kate, emerging from the bathroom, reacts to Seth's scream,
along with Scott.
Seth is so happy that he does a little jig in the back of
Everybody else is still tense as shit. But Seth lets go of
all his tension, and becomes a new man before our eyes. He
turns to Kate.
(loud and happy)
Come here, Kate!
Kate, nervous, takes a step back.
He charges for her. GRABS her, hugs her around her waist,
and spins her around. When he lets her go, she stumbles
dizzily onto the bed.
You were magnificent! You told him
to shut the fucking door. I'm hiding
in the shower, and I'm thinking to
myself, "Did I just fuckin' hear
what I just fuckin' heard? And what
does he do -- he shuts the fucking
Kate kind of half smiles.
If I was a bit younger, baby, I'd
fuckin' marry you!
Seth goes up front and slaps Jacob on the back.
I gotta hand it to ya, Pops, you
raised a fuckin' woman.
Jacob doesn't share Seth's enthusiasm, but he is relieved.
We did our part, we gotcha in Mexico.
Now it's time for your part, letting
Pops, when you're right, you're right,
and you are right.
You're gonna let us go?
In the morning, darlin', in the
morning, we are G-O-N-E and you are
F-R-E-E. Now, I know I put you guys
through hell, and I know I've been
one rough pecker, but from here on
end you guys are in my cool book.
Scotty, help me pick Richie up, and
lay him down. Jacob, keep going on
this road till you get to a sign
that says, "Digayo." When you get to
Digayo, turn this big bastard left,
go on down for a few miles, then you
see a bar called "The Titty Twister."
From what I hear, you can't miss it.
Then stop, 'cause that's where we're
He slaps him once again on the back, and leaves to attend to
CLOSE-UP RICHARD without glasses. Unconscious, Seth slaps
C'mon, kid, wake up. Don't make a
career out of it.
Richard starts coming to and opens his eyes. Seth sits at
the foot of the bed.
Yeah, I think so. What happened?
I don't know, you just passed out.
Yeah, we were just standing there.
You said something about your shoulder
hurting, then you just hit the ground
like a sack of potatoes.
Yeah, when you fell your head smacked
the toilet hard. It scared the shit
outta me. Sure you're okay?
Yeah, I guess. I'm just a little
Well, let me tell ya something, gonna
clear your head right up. We are
"South of the border down Mexico
Yep. We're heading for the rendezvous
right now. We get there, we pound
booze till Carlos shows up, he escorts
us to El Ray. And then me and you,
brother, kick fuckin' back. How ya
like them apples?
Slowly shaking the cobwebs out of his head.
Where are my glasses?
They broke when you fell.
Oh, fuck, Seth, that's my only pair!
Don't worry about it, we'll get you
What dya mean, don't worry about it.
Of course I'm gonna worry about it,
I can't fuckin' see.
When we get to El Ray, I'll take
care of it.
Yeah, like a Mexican hole-in-the-
wall's gonna have my fuckin'
It's not a big deal, unless you make
it a big deal. Now, I'm real happy,
Richie, stop bringing me down with
Jacob calls to the back.
Guys! We're here.
Neon sign that flashes:
THE TITTY TWISTER
Biker/Trucker bar, Dusk till Dawn Underneath the joint's
proud name on the sign, and on top of "Biker/Trucker bar,
Dusk till Dawn" is a well-endowed woman, whose breast is
being twisted by a neon hand.
EXT. THE TITTY TWISTER NIGHT
The neon sign sits on top of the rudest, sleaziest, most
crab-infested, strip joint, honky-tonk whorehouse in all of
The Titty Twister is located out in the middle of nowheres
ville. It sits by itself with nothing around it for miles. A
plethora of choppers and eighteen wheelers are parked out in
front. The walls almost pulsate from the LOUD, RAUNCHY MUSIC
within the structure. Signs cover the walls outside reading
"NUDE DANCING", "WHORES", "BEER", "AUTHENTIC MEXICAN FOOD",
"BIKERS AND TRUCKERS ONLY", "OPEN DUSK TILL DAWN", "THURSDAY
COCKFIGHT NIGHT", "WEDNESDAY DOGFIGHT NIGHT", "DONKEY SHOW
MONDAYS", "EVERY FRIDAY BARE KNUCKLE FIGHT TO THE DEATH,
FEATURING THE LOVELY SANTANICO PANDEMONIUM", "ATHENA AND
DANNY THE WONDER PONY", and "THE SLEAZY TITTY TWISTER
In the parking lot, a BIKER and a TRUCK DRIVER beat the shit
out of each other, one with a pipe, the other with a hammer.
A SECOND BIKER fucks a Titty Twister WHORE against the wall.
A greasy man, known as CHET PUSSY, stands in the parking
lot, soliciting customers through a Mr. Microphone.
Pussy, pussy, pussy! All pussy must
go. At the Titty Twister we're
slashing pussy in half! This is a
pussy blow out! Make us an offer on
our vast selection of pussy! We got
white pussy, black pussy, Spanish
pussy, yellow pussy, hot pussy, cold
pussy, wet pussy, tight pussy, big
pussy, bloody pussy, fat pussy, hairy
pussy, smelly pussy, velvet pussy,
silk pussy, Naugahyde pussy, snappin'
pussy, horse pussy, dog pussy, mule
pussy, fake pussy! If we don't have
it, you don't want it!
The Fullers' recreational vehicle pulls into the parking lot
INT. MOTOR HOME - NIGHT
What's left of the Fuller family and the Gecko family look
out the windshield onto the sight that is the Titty Twister.
(to the group)
Okay, troops, this is the homestretch.
Here's the deal; this place closes
at dawn. Carlos is gonna meet us
here sometime before dawn. Which by
my guesstimate is somewhere between
three or four hours from now. So
we're gonna go in there, take a seat,
have a drink -- have a bunch of
drinks, and wait for Carlos. That
could be an hour, that could be three
hours, I don't know which. But when
he gets here, me and Richie are going
to leave with him. After we split,
you guys are officially out of this
stewpot. Let me just say I'm real
happy about where we're at. We got a
real nice, "I don't fuck with you --
you don't fuck with me" attitude
going on. Now, if everybody just
keeps playin' it cool -- and I'm
talking to you, too, Richie --
everybody's gonna get what they want.
Everybody nods and mutters in agreement.
Okay hard drinkers, let's drink hard.
EXT. PARKING LOT - NIGHT
The camper door FLIES OPEN and the two brothers and the Fuller
family step out into the night.
They look across the parking lot at the Titty Twister. It
literally looks in some ways like the entrance to hell.
Out of the stew pot and into the
Shit, I been to bars make this place
look like a fuckin' 4-H club.
I gotta say I'm with Jacob on this.
I been to some fucked up places in
my time, but that place is fucked
Seth can't believe it.
(in a baby talk voice)
Aww-w, whatsa matter, is the little
baby too afraid to go into the big
The two brothers square off, not like strangers fighting,
but like brothers fight. They talk real quiet, but real
That's what you think?
That's how you're lookin', Richie.
I'm lookin' scared?
That's what you look like.
You know what you look like?
No, Richie, what do I look like?
You're lookin' green.
That's not what Seth expected to hear.
Where are you right now?
What do you mean?
Where are you?
I'm here with you.
No, you're not. You're sippin'
margaritas in El Ray. But we're not
in El Ray. We're here -- getting
ready to go in there. You're so
pleased with yourself about getting
into Mexico, you think the job's
down. It ain't. Get back on the clock.
That's a fuck-with-you-bar. We hang
around there for a coupla hours, in
all likelihood, we'll get fucked
with. So get your shit together,
My shit is together.
It don't look together.
Well, it is. Just because I'm happy
doesn't mean I'm on vacation. You're
just not used to seein' me happy,
'cause it's been about fifteen fuckin'
years since I been happy. But my
shit is forever together.
Richard believes Seth's response.
Okay, just checkin'.
They walk toward the bar's entrance. Chet Pussy talks into
(yelling into the
Take advantage of our penny pussy
sale. Buy any piece of pussy for
regular price, you get another piece
of pussy, of equal or lesser value,
for a penny. Now try and beat pussy
for a penny! If you can find cheaper
pussy anywhere, fuck it!
Chet notices our heroes, especially young Kate.
(in microphone, towards
What's this? A new flavor approaching.
Apple Pie Pussy.
Step aside, asshole.
Chet POKES HIS FINGER in Seth's CHEST.
Not so fast, Slick.
Seth GRABS HOLD of Chet's FINGER, BENDS it BACKWARDS till
the BONE SNAPS in two.
Chet lets out a SCREAM.
Seth VIOLENTLY brings his HEAD FORWARD PULVERIZING Chet's
Chet FALLS to his KNEES in front of Seth.
Seth HOOKS him with a powerful FIST UNDER his CHIN that SNAPS
Chet's HEAD BACK, and THROWS him on his BACK.
After HITTING the GROUND, Seth SENDS a SAVAGE KICK straight
to Chet's FACE, ROLLING HIM OVER.
Chet is OUT.
The whole altercation took two seconds.
Everyone's in shock and looks at Seth. Seth looks back at
Now, is my shit together, or is my
Richard and Seth laugh with each other.
(slappin' Seth five)
Your shit is forever together!
They head for the door. Richard stays behind for a second,
and gives the fallen Chet a few, swift kicks,
INT. THE TITTY TWISTER NIGHT
If the Titty Twister looked like the asshole of the world
from the outside, in the immortal words of Al Jolson, "You
ain't seen nothin' yet." This is the kind of place where
they sweep up the teeth and hose down the cum, the blood and
the beer at closing.
In the back, TOPLESS DANCERS do lap dances with customers,
while a SLEAZY SEXY STRIPPER STRIPS to RAUNCHY MUSIC, played
at ear drum-bursting level. TWO MEN are in a savage
BAREKNUCKLE FIGHT, surrounded by screaming customers of bikers
One of the dancers is a man with a saddle on his back, his
name is DANNY THE WONDER PONY. The woman on his back, in the
saddle, feet in the stirrups, hands on the reins, is ATHENA,
his rider. They dance around to the cheers of the crowd.
Bikers and truckers play pool in the back. Fights break out
here about one every ten minutes. The customers may start
'em, but the bouncer, BIG EMILIO, ends 'em.
Seth, Richard, Jacob, Scott and Kate walk through the door.
They each individually take in the sights and the smells.
Seth is the first to say something.
Now this is my kinda place! I could
become a regular.
The man behind the bar is RAZOR CHARLIE. He eyes the group
as they approach.
Their difference from the usual road waif nomads who populate
the Twister disturbs him. He exchanges a knowing look across
the room with Big Emilio, as the group bellies up to the
You can't come in here.
What dya mean?
This is a private club. You're not
Are you tellin' me I'm not good enough
to drink here?
This bar is for bikers and truckers
(points his finger to
You, get out!
Big Emilio almost magically appears behind Seth and places
HIS BIG BEEFY SAUSAGE-FINGERED HAND HARD on Seth's shoulder.
(to Seth in Spanish)
Seth slowly turns his eyes to the big hand on his shoulder.
Take your hand off me.
I'm going to count to three.
No, I'm going to count to three.
Jacob jumps in the middle.
Now wait a minute, there's no reason
to get ugly. There's just a
misunderstanding going on here. You
said this bar is for truckers and
bikers, Well, I'm a truck driver.
Everybody looks at Jacob.
As Jacob talks he takes out his wallet.
If you look outside your door, parked
in your parking lot, you'll see a
big ass recreational vehicle. That's
mine. In order to drive that legally,
you need a class two driver's license.
That is the same license that the
DMV requires truck drivers to carry
in order to drive a truck.
(he takes the license
out of his wallet
and lays it on the
That is me, and this is my class two
license. This is a truck driver's
bar, I am a truck driver, and these
are my friends.
Everybody's a little stunned after Jacob's speech.
Razor Charlie picks up the license, looks at Jacob, looks at
everyone in the party and smiles.
Welcome to the Titty Twister. What
can I get you?
Seth BRUSHES OFF Big Emilio's paw.
Bottle of whiskey and five glasses.
Razor Charlie's eyes go to Seth. Even though he has a big
smile on his face, he looks like he's going to kill Seth.
But instead he just says,
Coming right up.
Razor Charlie goes for the bottle. Big Emilio gives the party
one last look and walks away. Richard gives Jacob a buddy
punch on the shoulder.
Good job, Pops.
Seth's still frying an egg on his head.
That's just fuckin' typical. Biggest
number one problem with Mexico, it's
not service oriented. I was feelin'
so good, and those fuckin' spics
brought me down.
Richard puts his arm around Seth.
Fuck 'em, shake it off.
Razor Charlie brings the bottle and the glasses. Seth looks
at the guy, still pissed.
You serve food, Jose?
Razor Charlie knows Seth's taunting him with a racial slur,
but he just smiles and says,
Best in Mexico.
I kinda doubt that. We're grabbin' a
table, send over a waitress to take
Seth walks away, and the group follows him.
We just hang on the evil wheels turning inside of Razor
The five of them move across the floor to a table. As they
walk, Kate attracts stares, wolf whistles and rude comments
from some of the patrons. Jacob keeps near his daughter.
The dancers do their sexy routines. A big-chested, wild-haired
blonde catches Scott's eye. She winks at him.
Richard leans over and whispers in Scott's ear.
Anytime you want a lap dance with
that broad, say the word. It's on
He gives the boy's neck a squeeze. Jacob's eyes survey the
surroundings. Big Emilio and Razor Charlie quietly exchange
words about the party in Spanish.
They're not the normal road trash we
normally feed on. But it'll be okay.
No one knows they're here.
The five of them find a table and sit down.
Seth, still in a bad mood, takes the cork out of the whiskey
bottle and tosses it. He pours Richie and himself a glass.
(picking a fight)
Why not, against your religion?
(won't be baited)
No, I do drink, I'm just not drinking
Suit yourself, more for me.
Scott shakes his head no.
How 'bout you?
(pointing at Scott
You are safer in here with us than
wandering around a Mexican border
town all night long. Just don't do
nothin' stupid and we'll all get
Scotty, you sure you don't want a
Okay, I'll have one.
No you won't.
Seth pours Scott a shot.
Sorry, Pops, but I'm drinkin' and I
don't like drinkin' alone. Bottoms
Scott takes the drink and he, too, experiences an one-
Seth turns to Kate.
How about you, cutie pie? Ready for
Seth just passes her the bottle. She pours her own shot and
knocks it back.
Hey, Dr. Frankenstein, I think you
just created a monster.
Jacob turns to Seth and asks quietly.
Why are you so agitated?
I'm still stewing about that ape
laying hands on me. And that fuckin'
bartender sticks a weed up my ass,
He backed down.
He's smilin' at us. But behind his
smile, he's sayin', "Fuck you Jack."
I hear that loud and clear.
What are you going to do?
(picking up the whiskey
I'm gonna just sit here and drain
this bottle. And when I've drunk the
last drop, if I still feel then, the
way I feel now, I'm gonna take this
bottle and break it over his melon
Before we stepped in here, you told
all of us to be cool. That means
(tossing it off)
I never said do what I do, I said do
what I say.
Are you so much a fucking loser, you
can't tell when you've won?
Richard, Kate and Scott both turn to Jacob. Nobody can believe
what he just said. Neither can Seth who calmly lays down his
What did you call me?
Nothing. I didn't make a statement.
I asked a question. Would you like
me to ask it again? Very well. Are
you such a loser you can't tell when
The entire state of Texas, along
with the FBI, is looking for you.
Did they find you? No. They couldn't.
They had every entrance to the border
covered. There's no way you could
get across. Did you? Yes, you did.
You've won, Seth, enjoy it.
Seth looks at Jacob, then picks up the bottle.
Jacob, I want you to have a drink
with me. I insist.
Jacob slides his empty glass over to Seth. Seth pours booze
in Jacob's glass and his own. Both men pick up the glasses.
To your family.
They both knock 'em back and slap the empty glasses down.
Now, is your shit together?
Seth turns to Scott.
In that camper out there I saw a
guitar. I take it that's yours.
Yeah, it's mine.
Go out and bring it in. I feel a
song coming on.
Seth sitting at the table, playing guitar, singing Mexican
songs. Some bikers, truckers, and whores have gathered around
their table. Everyone's groovin'. Seth finishes the song.
Razor Charlie behind the bar grabs the greasy microphone
that he uses to announce dancers.
(announcer voice in
And now for your viewing pleasure.
The Mistress of the Macabre. The
Epitome of Evil. The most sinister
woman to dance on the face of the
earth. Lowly dogs, get on your knees,
bow your heads and worship at the
feet of SANTANICO PANDEMONIUM!
The lights go down low. A light hits the stage. The opening
notes of the Coaster's "Down in Mexico" fills the room.
The crowd hushes up.
And on the stage steps SANTANICO PANDEMONIUM.
This Mexican goddess is beautiful, but not the beauty that
Stendhal described in "As the Promise of Happiness," but the
beauty of the siren who lures men to their doom.
She dances to the raunchy music, not like she owned the stage,
but like she owned the world.
And if the patrons of the Titty Twister are her world, the
world is proud to be her possession.
All activity in the bar, save Santanico, stops. Even the
Fuller/Gecko table falls under her spell. Especially Richard,
Scott and Kate. Seth knows this song and accompanies from
the table with the guitar.
When the music builds to its explosive section.
Santanico LEAPS from the stage, LANDING in the middle of the
She does an eyes-closed voodoo dance in perfect step with
the beat. As the music continues to play, a very fucked-up
looking Chet Pussy walks in. He goes over to Razor Charlie
and points at Seth's table, describing what happened.
As the last verse plays, Santanico, like a snake, comes up
from the ground, on top of the Fuller/Gecko table.
Richard, Kate and Scott are enraptured.
Santanico scans the table, zeroing in on our boy Richard.
She STANDS OVER him.
While moving her body to the music, she lifts up the whisky
bottle from the table, and pours the whiskey down her leg.
She lifts up her foot, with the whiskey dripping from her
toes, and sticks it in Richard's face.
(to Richard in Spanish)
Richie, mesmerized, sucks the whiskey off her toes. The CROWD
GOES WILD. Santanico smiles, master of all she surveys.
Jacob and Scott are embarrassed.
Kate, oddly enough, is turned on by the controlling power
this woman has over a man she's deathly feared.
Seth laughs out loud a Mexican "yi yi yiii" laugh, keeping
the beat with his guitar.
Across the room, Razor Charlie, Chet by his side, motions
over Big Emilio. He begins explaining with pointing what
Seth and company did to Chet.
Richard continues to suck her toes.
The song ends, Santanico extracts her foot from Richard's
mouth. Steps off the table. Takes a drink of whiskey. Looks
down at the seated Richard.
She GRABS the back of his hair, YANKS his head BACK. His
mouth OPENS because she's hurting him. She LEANS her FACE
OVER his like she's going to kiss him. Then let's the whiskey
from her mouth fall into his. They never touch. The crowd
applauds. She lets go of Richard's hair. Except for Jacob
and Richard, both for their own reasons, the table applauds,
none louder than Seth.
Bravo! Bravo! Bravo! Now that's what
I call a fuckin' show!
One of Santanico's FLUNKIES brings the naked woman a robe,
which she puts on.
Richard, still in a daze, looks up at his new friend.
(snapping his fingers)
Earth to Richie. Don't you wanna ask
your new friend to join us?
Well, then ask her, dumb ass.
(looking up at
Por favor, Senorita. Would you care
to join us?
Muy bien, gracias.
Santanico sits down next to Richie. Seth pours her a drink.
Richie, you lucky bastard!
Now, little lady, you could of just
as easily done that to me. Whoa Nelly!
You got my dick harder 'n Chinese
The table laughs.
Which reminds me of a joke. Little
Red Riding Hood is walking through
the forest and she comes across Little
Bo Peep, and Little Bo Peep says:
"Little Red Riding Hood, are you
crazy? Don't you know the Big Bad
Wolf is walking these woods and if
he finds you he's gonna pull down
your dress and squeeze your titties?"
Then Little Red Riding Hood hitches
up her skirt and taps a .357 Magnum
she has holstered on her thigh and
says: "No he won't."
As Seth tells his joke, Jacob notices Razor Charlie, Big
Emilio and Chet moving rapidly towards their table.
Seth waves him away.
Not now. So finally she comes across
the Big Bad Wolf and the Big Bad
Wolf's laughing and says: "Little
Red Riding Hood, you know better
than to be walking around these woods
alone. You know I'm just gonna have
to pull down your dress and squeeze
your titties." Then Little Red Riding
Hood whips out her .357, cocks it,
sticks it in the Big Bad Wolf's face
and says: "No you won't. You're gonna
eat me, just like the story says."
Seth starts laughing at his own joke uproariously. Richard,
Kate, Scott and Santanico join in too. Before Jacob can say
The Titty Twister trio stand over the table.
(to Chet in Spanish)
(pointing at Seth)
This piece of shit broke my finger
and my nose...
(pointing at Richard)
then this fag kicked me in the ribs
while I was down.
That's all Big Emilio has to hear.
(to The Gecko Brothers)
Fuck off, ape man!
Big Emilio leans in with his beefy hand, GRABS Richard by
the shoulder. Richard lets out a howl as blood pours from
his wounded shoulder.
Santanico steps back from the table.
Seth jumps to his feet and FIRES a round from his .45 into
Big Emilio, sending his bullet-ridden body to the floor.
Razor Charlie whips out a straight version of his name sake
and SLASHES Seth across the face.
Seth SCREAMS at the top of his lungs as his hand goes up to
his laid open cheek.
Richard, who has fallen to the ground holding his wound,
brings up his .45 and starts BLASTING.
Razor Charlie takes a bullet in the head, chest and belly
before he hits the floor.
Jacob and his children have hit the floor as well to stay
out of gunfire.
The bikers, truckers, waitresses and whores all stop what
they were doing.
The music continues to play, though the dancers stop dancing.
Santanico, who's closest to the two brothers, smells
Her NOSTRILS FLARE.
Richard moves to his brother, who takes out a handkerchief
and puts it to his face.
How are you?
Scarred for life, that's how I am!
Seth looks up and sees Chet still standing there.
You thought it was pretty funny,
Both brothers FIRE on Chet. Chet's blown left... right...
left... right... then drops, pointing their guns towards the
Everybody be cool, or you'll be just
as dead as these fucks!
SLOW MOTION: Blood drips down the side of Seth's face.
SLOW MOTION: It splatters to the floor.
The CAMERA scans the crowd. The patrons are scared, but the
waitresses, whores and dancers lick their lips.
SLOW MOTION: Blood drips from Richard's shoulder. It falls
to the floor, splattering.
WE MOVE INTO SANTANICO'S FACE. A special aroma fills her
nostrils. Her eyes lock on Richard. The look on her face
could easily be read as intense sexual desire.
CLOSE-UP KATE ON FLOOR
Looks up and watches, eyes wide with fear, Santanico's
Her NOSE RECEDES INTO her face like a rodent's. The whites
of her eyes turn YELLOW. The FANGS of a beast PROTRUDE from
her mouth. Kate yells from the floor.
Richie, look out!
Before Richie can turn around.
SANTANICO LEAPS ACROSS THE FLOOR, LANDS on his BACK and SINKS
her FANGS into Richie's wounded SHOULDER.
Richard LETS LOOSE with an agonizing SCREAM.
Seth turns to his brother's cry.
He sees SANTANICO PANDEMONIUM, like a mongoose attached to a
cobra, legs wrapped around Richard's waist, fangs buried
deep in his shoulder, and Richard screaming and slamming
about, trying to knock her off.
Richard screams to Seth:
Shoot her! Shoot her! Get her off!
Seth tries to aim his gun, but there's too much movement. He
can't get a clear shot.
Jacob and his children can't believe what they're seeing.
Richard can't take it anymore, his knees buckle. Santanico
rides him down to the floor.
Seth gets a clear shot, he takes aim and FIRES, hitting the
vamp in the head, blowing her off his brother.
Richard, who's on all fours, tries to stand and gets about
half way before he stops, saying:
(with his dying breath)
He tumbles over, a corpse.
Suddenly, the eyes of Big Emilio, Razor Charlie and Chet
Pussy pop open. The "dead" men sit up with evil grins on
The patrons scream.
A WHORE locks the front door (which is a complicated lock
with steel rods going into the ground), turns toward the bar
Dinner is served!
The bikers and truckers who have been transfixed, watching
the impossible, realize that the waitresses, naked dancers
and whores who they were pawing just five minutes ago, have
turned into yellow-eyed, razor-fanged, drool-dripping
The vamps attack.
What follows is a shark feeding frenzy. Whores, who had been
sitting on customer's laps, sink their teeth into unshaven
Naked strippers and bikers wail the shit out of each other.
Truckers get their heads caved in by women half their size.
The patrons use what ever they can find to fend off the
monsters: chairs, chair legs, broken bottles, switchblades,
Jacob, Kate and Scott make a dash and dive behind the bar.
They hide and watch.
Seth stands where his was, limp dick of a .45 in his hand,
too freaked, scared and stunned to do anything. He stands
motionless, watching what he can't believe.
Behind him, Santanico, who lies next to the dead Richard,
eyes POP OPEN.
She RISES in her snake/dance way.
Seth feels her and SPINS in her direction, gun raised.
Let's see if you taste as good as
She approaches Seth, who FIRES at her. BAM... BAM... BAM...
CLICK... CLICK... CLICK... CLICK. She laughs and gives her
hair a toss back. Seth, moving backwards, is terrified.
Santanico gives Seth a SWINGING ROUND HOUSE PUNCH to the
JAW, that sends him FLYING over a table, SLIDING ACROSS the
FLOOR and INTO the WALL.
A bad-ass biker named FROST, with a hideous burn on the side
of his face, stands on top of a pool table, swinging a pool
cue, left to right, fending off vamps.
Big Emilio picks up a biker who stabbed him with a switchblade
and throws the poor bastard from one end of the bar to the
The biker-winner of the bare knuckle fight, SEX MACHINE,
goes head to head with a stripper.
The vamp might have superhuman strength, but Sex Machine has
close to superhuman strength, and he's matching the vamp
bitch blow for blow.
Then he GRABS her by the waist, LIFTS her up over his head
and BRINGS her DOWN HARD on an upturned table, IMPALING her
on the wooden leg.
FROST is still swinging his POOL CUE, when Razor Charlie
appears, straight razor in hand.
Frost JUMPS off the table to meet the challenge. Razor Charlie
SWINGS at him, Frost LEAPS back, SWINGING his pool cue at
him. They do this dance, till Frost CRACKS Charlie UPSIDE
the HEAD with the pool cue, breaking it in half. Charlie
FEELS the HIT. Frost PLUNGES the splintered end of the cue
in Razor Charlie's heart.
Green blood comes out of his chest, as Charlie screams the
vampire's death scream.
Seth comes to and finds Santanico standing over him. He tries
to rise, but Santanico places her bare foot on his chest,
pinning him down to the floor. He tries to move, but the
pressure of her foot is equivalent to an engine block placed
on his chest.
I'm not gonna drain you completely.
You're gonna turn for me, You'll be
my slave. You'll live for me. You'll
eat bugs because I order it. Because
I don't think you're worthy of human
blood, you'll feed on the blood of
stray dogs. You'll be my foot stool.
And at my command, you'll lick the
dog shit from my boot heel. Since
you'll be my dog, your new name will
be "Spot". Welcome to slavery.
SLOW MOTION: A WHISKEY BOTTLE FLIES THROUGH the AIR, sailing
end over end.
looking down at Seth, her face contorts to FEED MODE, when
the bottle HITS her SQUARE in the HEAD, SHATTERING.
We see that Jacob behind the bar threw it.
Santanico, bathed in whiskey and broken glass, is momentarily
dazed. She looks down at Seth.
Seth sits up, .45 in hand, and fires.
Santanico is HIT in the CHEST. The bullet from the gun makes
the liquor-soaked robe ignite.
Santanico SCREAMS as she GOES UP IN FLAMES.
Big Emilio sees Santanico's fiery death. He lets out a cry.
He turns his hateful gaze on the two humans.
Seth and Jacob see Big Emilio zeroing in on them, then they
see him move his big frame in their direction. Seth turns to
We may be in trouble.
Big Emilio walks steadily through the bar like Godzilla walks
through Tokyo. Tipping over tables, knocking fighting vamps
and humans alike on their asses on his way to stamp out Seth
and Jacob. A TRUCKER JUMPS in his path to attack him, with a
QUICK SWING of his hand the trucker is brushed aside,
receiving a broken neck for the effort.
Big Emilio never breaks his stride or takes his eyes off
Seth and Jacob.
Seth and Jacob both grab pieces of wood, holding it like a
weapon, but the wood looks puny compared to their opponent.
Big Emilio stands in front of them. The two men hold their
wood tight. Fangs grow in Big Emilio's mouth that make him
look like a huge walking shark.
Just when Big Emilio's ready to strike, he hears behind him,
Hey, you, monkey man!
Big Emilio turns and sees Sex Machine across the room.
Anything you gotta say to them, say
to me first.
Both Seth and Jacob ATTACK Big Emilio from behind. He
effortlessly knocks them away.
They both hit the ground.
Sex Machine gestures with his hand to Big Emilio to "come
Big Emilio CHARGES towards Sex Machine, like a runaway
Sex Machine stands his ground waiting for IMPACT. The two
huge men COLLIDE. What follows is literally a war of the
Gargantuans. The two mastiffs POUND each other till one
buckles. Finally, the one who buckles first is Big Emilio,
who HITS the floor.
Once on the floor, Seth and Jacob, stand over the huge vamp,
BEATING him with clubs and pipes, like L.A.'s finest. The
vamp can do nothing except SQUIRM on the floor from the savage
Jacob and Seth stop.
Sex Machine holds a pool cue in his hand. He SNAPS off the
end tip, making it jagged, and like a spear, STICKS it into
big vamp's fallen body. Big Emilio, SCREAMS, TWITCHES and
dies. The pool cue sticks out straight up from the dead vamp.
Chet Pussy spies Ms. Apple Pie Pussy herself, Kate. He breaks
into a lecherous grin and licks the blood from around his
Kate and Scott are cowering behind the bar when Chet appears
over the top. They both let out a scream. Scott goes to
protect his sister and receives a punch in the face for his
trouble. Chet dives at Kate.
You know what everybody says about
me? I suck!
Chet goes to bite Kate, grabbing at her t-shirt, and sees
her crucifix. HE recoils backwards. Scott grabs hold of his
head from behind. Kate jumps up from the floor, rips off her
cross and grabs Chet by his beatnik beard, opening his mouth.
She SHOVES the cross inside. Chet's eyes roll up back into
his head. Scott SLAPS Chet hard on the back.
Chet has swallowed the crucifix. A SIZZLING sound is heard
moving down from his throat to his belly. He opens his mouth
and lets out a noise similar to a train whistle. He jumps up
from behind the bar, doing a wild dance from pain. He jumps
from wall to wall and floor to ceiling, screaming all the
Kate and Scott watch him from the bar, mischievous grins on
Chet is on his knees, arms stretched out, yelling at the top
of his lungs like a vamp King Lear.
Chet breaks off a chair leg, muttering to himself.
Stop the pain, stop the pain, stop
the pain, stop the pain, stop the
He plunges the stake into his own heart, but instead of the
vampire's cry that escapes from the others upon being staked,
Chet lets out a sigh of relief.
By this time there are not too many people left. Most of the
vampire have been killed by wooden stakes and most of the
customers have been butchered or drained.
All that's left on the vampire side are two naked dancers
and two whores. On the human side are Seth, Jacob and his
kids, Sex Machine and Frost. Aside from the children, who
are hiding behind the bar, all the humans are holding wooden
The four human men group together. The four female vampires
charge, teeth exposed, snarling and dripping with blood.
Seth, Jacob, Sex Machine and Frost raise their weapons and
slam, almost simultaneously, the four vamps. All four staked
bodies hit the floor.
Kate and Scott run from behind the bar to their father's
They all stand looking at the horrible carnage that has taken
place. The floor is littered with dead bodies.
Ain't they supposed to burn up or
At that moment a bright flash ERUPTS, illuminating everyone's
face. The sound of quick burning flames fills the air.
Everybody shields their eyes from the intense light, which
lasts only a split second.
It vanishes, along with the bodies of the vampires. All that
remains is a smoldering mess of goo where the bodies once
They all stare at the mess for a few seconds and then RUN
for the door. It's locked. They BANG on the door, but it's
useless. It ain't budging, yet they all go on banging.
Except for Seth. He never ran for the door. He walks over to
his dead brother's body and kneels beside it.
He takes his dead hand.
Richie, I'm sorry I fucked things
up. You'd really like it in El Ray.
We'd find peace there. I love you
little brother, I'll miss ya bad.
Seth goes to kiss his brother's lips when, RICHARD'S EYES
POP OPEN. They're YELLOW. Seth RAISES his head in surprise.
I'm glad you feel that way, Seth. I
love you, too.
Richard GRABS Seth by the front of his shirt and pulls him
down to him. Fangs are now exposed. Seth tries to pull away.
He SCREAMS for the others to help. Richard PULLS Seth down
to striking distance and opens his mouth to take the big
bite, when Sex Machine grabs Seth from behind and YANKS him
from Richard's grasp. Jacob, Frost and the kids have
surrounded Richard and proceed to KICK him and STOMP his
head. Sex Machine picks up a chair and SMASHES it against a
wall. He picks up one of the chair legs and walks over to
where the others are holding Richard down. Richard sees the
wood in the biker's hand. He knows what that means. Seth
whips out his .45 and points it at Sex Machine.
Touch my brother with that stake,
biker, and vampires won't need to
suck your blood, they'll be able to
lick it up off the floor.
He ain't your brother no more.
That's a matter of opinion, and I
don't give a fuck about your's.
Jacob, Frost and the kids continue to hold Richard down to
Don't be an idiot, he'll kill us
Seth aims his gun at the group.
Yeah, shut up.
Seth, still holding the outstretched gun, takes the stake
out of Sex Machine's hand. Seth lowers the .45.
Hold him down.
The smile evaporates from Richard's face.
Richie, here's the peace in death I
could never give you in life.
Seth puts the stake over Richard's heart. Using the butt of
his .45 like a hammer, he POUNDS the stake into Richard's
heart. Richard screams and dies. They all stand around the
body as it BURSTS INTO FLAMES and disintegrates into goo.
Seth breaks away from the group and walks over to the bar.
He grabs a bottle of whiskey and starts downing it. Kate, of
all people, walks away from the group and joins Seth at the
Are you okay?
Peachy! Why shouldn't I be? The
world's my oyster, except for the
fact that I just rammed a wooden
stake in my brother's heart because
he turned into a vampire, even though
I don't believe in vampires. Aside
from that unfortunate business,
I'm really sorry.
Bullshit! You hate us. If you had
half a chance you'd feed us to them!
Then why didn't I?
Jacob walks over to Seth.
I saved your life. I didn't have to,
but I did. And I'm sorry you lost
your brother. I'm sorry he's dead.
I'm sorry everybody's dead. Now, if
we're gonna get out of this we need
each other. And we need you sober
and thinking, not drunk and...
As Jacob has been talking, a sound has started that has grown
LOUDER and LOUDER. Jacob stops in mid-sentence to identify
What the hell is that?
At first I just thought it was birds.
No, it's more of a gnawing sound.
Birds peck, they don't gnaw. Rats
Seth puts the bottle in his hand down.
EXT. TITTY TWISTER - NIGHT
The outside of the Titty Twister is literally covered with
bats, CLAWING, FLAPPING, GNAWING, trying like hell to get
INT. TITTY TWISTER - NIGHT
Everybody listens to the bats SCRATCHING and clawing all
along the walls, the roof and at the front door. Everyone's
scared shitless and nobody has the slightest idea what to do
next. The door begins to crack and splinter, little claws
poke their way through.
Give me a hand!
Jacob runs to a table top. He grabs it and covers the area
the bats are trying to claw through. The others grab other
items to help secure and barricade the door.
As the survivors are panickedly boarding up the door and the
windows, a DEAD BIKER that the vampires fed on, pops open
his yellow eyes. He sits up and sees all the furious activity.
Everyone's so busy they don't notice their new friend. The
dead biker vamp sets his sights on Kate, who's putting a
board into place. He springs to his feet and POUNCES on her,
just as Sex Machine turns from across the room in her
Watch out, girly!
The biker vamp GRABS Kate from behind. She lets out a scream.
The vamp holds her close to him in a bear hug, but she's
moving around so much he can't get a clear bite. The others
hear the scream and look toward Kate. Sex Machine, Big
Emilio's baseball bat in hand, is halfway to the rescue. As
the biker vamp opens his mouth to take a juicy bite out of
Kate's shoulder, Kate RAMS her head back, hitting the vamp
in the mouth and breaking his fangs. He releases her and
spits out his teeth just as Sex Machine runs up and SWINGS
the baseball bat upside the vamp's head, breaking the bat in
two and sending the vamp to the floor. As the vamp lies on
the floor seeing stars, Sex Machine grabs one of the broken
ends of the bat and SHOVES it in the vamp's heart. He dies
and bursts into flames.
At that point, three other dead victims rise to a sitting
position. Sex Machine grabs a chair and THROWS it to the
ground, breaking it. He grabs the four legs.
(mumbling to himself)
Goddamn fuckin' vampires.
The biker has turned into Captain Sex Machine, Vampire Hunter.
He stakes two of the vampires as they get to their feet.
Both SPEW green blood, scream, die and burst into flames.
The third, a trucker vampire wearing a cat cap, SMACKS Sex
Machine in the mouth, which sends the biker for a loop.
As CAT CAP runs toward the fallen Sex Machine, Kate JUMPS on
his back from behind. Both of them go tumbling into a stack
of whiskey cases. Sex Machine runs over and grabs Kate by
the hand, pulling her up and out of the way. Cat Cap is lying
in a pile of broken bottles and whiskey. Sex Machine raises
his stake as Cat Cap dies and DRIVES it in the vamp's black
heart. Cat Cap dies and bursts into flames, which hits the
whiskey, starting a giant fire.
Frost and Jacob stop barricading and run to the fire.
(to Sex Machine)
We'll put this out. You stake the
rest of these fuckers.
Way ahead of ya.
What's your name, girly?
Kate, what's yours?
Sex Machine. Pleased to meet'cha.
Kate, let's stake these blood-sucker
Kate and Sex Machine give each other a high five and go to
work STAKING the dead bodies.
Jacob and FROST beat down the fire with their jackets and
whatever else is at hand.
A hole begins to appear where a window had been plastered
over. Little claws scrape their way through. Scott stands in
front of the window.
We got a problem!
Seth, who is barricading doors and window, looks in Scott's
direction. The hole in the plaster cracks open and out POPS
a little, fleshy vampire bat/rat head. The bat/rat, which is
SQUEAKING and HISSING its head off, tries to SQUEEZE its
body through the newly formed hole.
Seth, gun in hand, RUNS to the window. He points the .45,
point-blank range at the head of the bat/rat.
The bat/rat sees this, makes an "oh shit" face, and YANKS
his head back through the hole.
Seth was ready to fire, he lowers his gun in bewilderment,
The bat/rat BURSTS through the hole, like shot out of a
cannon, HITTING Seth in the gut and sending him FLYING,
LANDING HARD on his back.
Once Seth hits the ground, the bat-thing (which has the body
of a fat rat with a bat's large wingspan) lickity-split RUNS
UP Seth's body to his juggler. Seth's hand GRABS the bat's
neck, and tries to PUSH it away. But the bat-thing has its
CLAWS DUG in Seth's clothes. The bat-thing is just inches
from Seth's face. Its mouth is SNAPPING.
Get this bastard off of me!
Frost leaves Jacob with the fire, comes from behind and GRABS
the bat-thing and YANKS it off of Seth.
Sex Machine and Kate are a green, bloody mess from their
preventative staking of dead bodies. Sex Machine kneels by a
dead body, raising the stake in his hand to spear him. The
body SPRINGS UP and bites Sex Machine on the arm. Red blood
squirts all over. Sex Machine screams, then brings the stake
down in the body's chest. It dies, burns and turns into goo.
Sex Machine holds his bit arm and wraps it with a piece of
his shirt. He quickly looks around to see if anybody saw him
get bit. Nobody saw it, everybody was too busy.
Frost holds the FLAPPING, FIGHTING, SNAPPING bat-thing in
front of him at arm's length. He struggles with it for a
BASHES its head against the bar. The first bash takes some
fight out of the little fucker, so... Frost BASHES his head
against the bar six or seven times. He then THROWS the bat-
thing on the bar, turns it over, garbs a pencil in a cup
next to the register, and RAMS it in the bat-thing's heart.
The bat-thing coughs and dies. There's a FLASH of FLAMES,
followed by a pile of goo.
Sex Machine and Kate have covered up a hole in the plastered
window with a table while Frost, Scott and Seth wrestle with
Jacob has put out the fire. Everybody comes together,
exhausted, and takes a breather. Outside, the bats continue
to try and claw their way in.
Is everybody okay?
Everyone mutters "yeah."
Okay, does anybody here know what's
Yeah, I know what's going on. We got
a bunch of fuckin' vampires outside
trying to get inside and suck our
fuckin' blood! That's it, plain and
simple. And I don't wanna hear any
bullshit about "I don't believe in
vampires" because I don't fuckin'
believe in vampires either. But I do
believe in my own two fuckin' eyes,
and with my two eyes I saw fuckin'
vampires! Now, does everybody agree
we're dealin' with vampires.
You too, preacher?
I'm like you. I don't believe in
vampires, but I believe in what I
Good for you. Now, since we all
believe we're dealing with vampires,
what do we know about vampires?
Crosses hurt vampires. Do you have a
In the Winnebago.
In other words, no.
What are you talking about? We got
crosses all over the place. All you
gotta do is put two sticks together
and you got a cross.
He's right. Peter Cushing does that
all the time.
I don't know about that. In order
for it to have any power, I think
it's gotta be an official crucifix.
What's an official cross? Some piece
of tin made in Taiwan? What makes
that official? If a cross works
against vampires, it's not the cross
itself, it's what the cross
represents. The cross is a symbol of
Okay, I'll buy that. So we got crosses
covered, moving right along, what
Wooden stakes in the heart been
workin' pretty good so far.
Garlic, holy water, sunlight... I
forget, does silver do anything to a
I know silver bullets are werewolves.
But I'm pretty sure silver has some
sort of effect on vampires.
Does anybody have any silver?
Then who cares?
Jacob looks at his watch.
About two hours from now.
So all we have to do is get by for a
few more hours and then we can walk
right out the front door.
Yeah, that's true, but I doubt our
barricades, that door, those plastered
windows and these walls will last
two more hours with those bat fucks
fuckin' with 'em.
Has anybody here read a real book
about vampires, or are we just
remembering what a movie said? I
mean a real book.
You mean like a Time-Life book?
(in a cowboy voice)
John Wesley Hardin, so mean he once
shot a man for snorin'.
I take it the answer's no. Okay then,
what do we know about these vampires?
Aside from they're thirsty.
Well, one thing, they might got super
human strength, but you can hurt
Yeah, that bottle upside the head of
Santanico didn't kill her, but it
didn't feel too good either.
Another thing, you try and ram a
broken chair leg in a human, you
better be one strong son-of-a-bitch.
The human body is one rough-tough
machine. But these vamps got soft
bodies. The texture of their skin is
softer, mushier. You can push shit
right through 'em. Conceivably, if
you hit one hard enough, you could
take their fuckin' head off.
You could take their head off.
Actually, our best weapon against
these satanic cocksuckers is this
(he points at Jacob)
He's a preacher.
Frost and Sex Machine look toward Jacob.
As far as God's concerned, we might
just as well be a piece of fuckin'
shit. But he's one of the boys. Only
one problem, his faith ain't what it
used to be.
Jacob PUNCHES Seth in the mouth, sending him to the floor.
Jacob stands over him.
I've had enough of your taunts.
Seth looks up from the floor.
I'm not taunting you. We need you. A
faithless preacher doesn't mean shit
to us. But a man who's a servant of
God can grab a cross, shove it in
these monsters' asses. A servant of
God can bless the tap water and turn
it into a weapon.
I know why you lost your faith. How
could true holiness exist if your
wife can be taken away from you and
your children? Now, I always said
God can kiss my fuckin' ass. Well, I
changed my lifetime tune about thirty
minutes ago' cause I know, without a
doubt, what's out there trying to
get in here is pure evil straight
from hell. And if there is a hell,
and those monsters are from it,
there's got to be a heaven. Now which
are you, a faithless preacher or a
mean, mother fuckin' servant of God?
Jacob has to laugh at that. So does everybody else. Jacob
sticks out his hand and shakes Seth's.
I'm a mean, mother fucking servant
The laughter and good humor passes quickly and the only sound
to be heard is that of the bats gnawing and clawing. It
immediately reminds the group of the deep, deep shit they're
I don't know if I can take two hours
of that noise.
You can. You'll take it 'cause ya
got no choice. How'd ya like twenty
four hours of it, lying in a muddy
ditch with only the rotting corpses
of your friends to keep you company?
What are you talking about?
Back in '72 I was in Nam, trapped
behind enemy lines, lying in a rat
hole with my entire squad dead. They
thought they killed everybody, and
except for me, they were right. But
it wasn't for lack of trying. A
grenade blew up right next to me,
that's why I'm so pretty. They thought
I was dead, so I played dead. They
dumped all the bodies in a ditch.
All I could do was lie there playing
possum. Dead bodies under me, dead
bodies on top of me, listening to
the enemy laugh and joke hour after
hour after hour...
As Frost goes into his monologue, the sound fades out and
the camera moves to Sex Machine. He's having a hot flash. He
can't hear anything. He's looking at Frost speaking, but he
doesn't hear any sound. Then he hears a deep, MALE VOICE
MALE VOICE (V.O.)
"Who the fuck was that?" he thinks to himself. He turns
around: nobody's there. No one else in the group seems to
hear it, A FEMALE VOICE seductively says:
FEMALE VOICE (V.O.)
We hear Sex Machine's thought in a voice answer.
SEX MACHINE (V.O.)
Stop fucking saying that!
TWO MALE VOICES (V.O.)
SEX MACHINE (V.O.)
That bite weren't nothin'. It just
hurt like a son-of-a-bitch, that's
all. It barely punched the skin.
Sex Machine looks at Frost, who's acting out his story. The
biker is pantomiming fighting and slashing. He's describing
all the while, but we can't hear anything. All we hear are
many voices, male, female, children saying:
Thirst... Thirst... Thirst...
Sex Machine begins looking at the other members of the group
in a thirsty way. He stares at each of their necks, closer
and closer until he can see the veins on Frost's neck actually
pulsating, throbbing, beckoning to him. Sex Machine has turned
into a vampire.
The sound comes back as Frost finishes his story.
...and then when I came back to my
senses, I realized I had killed the
entire V.C. squadron single handedly.
My bayonet had blood and chunks of
yellow flesh on it like some cannibal
shish kabob. And to this day I don't
have the slightest idea how I --
Sex Machine lets out a hideous cry.
Frost SCREAMS as Sex Machine grabs hold of him and BITES
into his neck.
The group tries to PULL the TWO men apart.
Jacob gets his arm around Sex Machine's neck and tries
Sex Machine takes his teeth out of the biker's neck and SINKS
them in Jacob's arm.
Jacob SCREAMS and lets go.
Seth, Kate and Scott react to Jacob being bit.
Sex Machine GRABS Jacob and TOSSES him effortlessly over the
bar, CRASHING into a shelf full of liquor bottles.
Frost HOPS around the room, mad as a hornet, holding his
I been bit! He fuckin' bit me!
Sex Machine PUNCHES Seth in the face, dropping him like a
sack of potatoes.
He smacks the shit out of Kate. She goes FLYING into a table.
Sex Machine turns, seeing Frost breaking off a big table
leg. Frost looks at the big vamp.
(to Sex Machine)
You're dead, motherfucker! You're
gonna bite me! You just turned me
into a vampire, asshole!
What are you gonna do about it?
Frost, table leg in hand, RUNS, SCREAMING his head off,
straight at Sex Machine.
Sex Machine's nostrils flare. He raises his meaty fist and
pulls it back, so he can really haul off.
Frost, top speed, stake raised, screaming. Sex Machine lets
loose with his punch, Seth, Scott and Kate look up from the
floor. Jacob rises from behind the bar. Frost's face COLLIDES
with Sex Machine's fist. Sex Machine hits Frost so hard it
lifts the biker off the ground and propels him through the
Seth sees where Frost is heading and says:
Frost, in mid-air, HITS the barricaded, plastered overwindow
and CRASHES through it.
Sex Machine lets loose with a maniacal laugh. Hundreds of
bat-things fly into the bar. Seth grabs the two kids by the
hand and runs for the backroom.
Behind the bar, Jacob grabs two pieces of wood from off the
Ten bat-things are in hot pursuit of Seth, Kate and Scott,
who are RUNNING for their lives. They get to the door of the
back room, whip it open, dive in and SLAM it behind them. An
ugly, fleshy bat-thing manges to get its head caught in the
door as it closes. Kate and Scott PUSH on the door as hard
as they can. The bat-thing's head, which is inside, screams,
howls and snaps in fury.
Seth turns toward the bat/vamp in the door. He sticks his
.45 in its big mouth.
You wanna suck something, suck on
He FIRES four shots that blow the bat vamp's head all over
We have to go back for Daddy!
She spins and grabs the door knob, ready to fling the door
and help her father. Scott grabs her and pushes her up against
He's right, Kate. Daddy's dead! He
was too far away. If flinging that
door and filling this room with those
bat-things would save him, I'd fling
it. The only thing it'll do is turn
us into one of them.
He needs our help!
He's beyond our help. You saw him
get bit. I saw him get bit. We all
saw it. You can't help him. I've got
no one left to lose but you. I can't
be alone again. We're sticking
Just then they hear Jacob's voice BOOMING from the bar room.
INT. BAR ROOM - NIGHT
Jacob, holding a cross made out of two sticks and reciting
appropriate verse from the bible, is keeping the vampires at
bay. But, as Seth predicted, it is the shining power of his
restored faith that is his mightiest weapon. Jacob is making
his way through the vampires, toward the back door. A lot of
the bats have transformed into bat/devil/human creatures.
The creatures stand at the edge of Jacob's force field of
holiness. Many bat things fly around the bar like mad,
whirling dervishes. A cluster of bat-things over above and
in front of Jacob. They all growl and hiss at the man of
God. For every one step forward Jacob takes, the vampires
take one step back. Jacob recites the verse from the bible
in a threatening, mean, mother fucking, servant of God tone.
As he speaks with authority and strength, he sees Frost lying
on the ground, bat-things on him like ants on a candy bar.
But Jacob is too much in control to let even this repugnant
sight trip him up.
Jacob has backed himself up by the door.
Open the door.
The door FLIES open. Jacob jumps inside. The door SLAMS shut.
Jacob hugs daughter and son. As he hugs them, we see his
When he releases them, they can't help but notice.
Seth explodes, knocking over boxes, busting chairs, tipping
over tables and cussing a blue streak.
Fuck, piss, shit! Mother fuckin'
vampires! Mother fuckin' vampires!
Goddamn mother fuckin' vampires!
Seth runs over to the barricaded door and yells to the
creatures on the other side.
You all are gonna fuckin' die! I'm
gonna fuckin' kill every last one of
you godless pieces of shit!
You bet your sweet ass you are, and
I'm gonna help you do it. But we
ain't got much time.
Kate is crying, she knows what's happened to her father.
You're gonna be okay, aren't you,
No, I'm not. I've been bit. In effect,
I'm already dead.
Scott and Kate, crying, grab their father and hold on for
dear life. Jacob wants to cry, but if he breaks down, the
kids will never have the courage for what they must do.
(to his children)
Children, listen to me. I love you
two more than anybody. And I just
want you to know you've made me proud
all your lives. But never more so
than tonight. And I wish we could
sit here and cry till I pass on, but
we can't. Because I'm not going to
pass on. I'm going to turn into a
monster. And when I do, I'm going to
be dangerous. But before that happens,
just know I love you.
(to Seth and the kids)
Now, I'd say in the next twenty or
thirty minutes our friends outside
will bust in this door. And I'll
probably turn into a vampire within
the hour. Now, you have two choices.
You can wait for me to turn, then
deal with me, then wait for them to
burst inside here and the three of
you will deal with them. Or, we can
kick open that door and the four of
us can hit 'em with everything we
have, and carve a path right through
'em to front entrance. But if we're
gonna go at 'em, we gotta go at 'em
now. I confused them, I scared them,
I took them off guard. But they're
going to get unconfused, they're
going to get unscared, they're going
to get together and they're going to
hit that door like a ton of bricks.
And when that moment arrives, we
gotta be ready.
Jacob sees that the back room is pretty damn big and filled
with boxes and crates.
What's this stuff?
My guess is that this little dive's
been feeding on nomad road waifs
like bikers and truckers for a
longtime. This is probably some of
the shipments they stole off the
Well, I say lets tear this place
apart for weapons. So when they burst
through that door, we'll make 'em
wish they never did.
I don't give a shit about living or
dying anymore. I just want to send
as many of these devils back to hell
as I can.
The survivors are opening boxes and prying open crates. A
lot of what they find is bullshit. Pantyhose, coffee, teddy
bears, etc. But a few of the boxes are just what the doctor
ordered. Cases from a sporting good supplier yield a shipment
of baseball bats. Meant to arrive at toy stores are a shipment
of Uzi replica squirt guns and a box of balloons. And captured
en route to a hardware store are shipments of power tools,
saws and jack hammers.
Seth and Scott saw the bats into wooden stakes.
Kate fills the Uzi squirt guns with tap water from the
Jacob, with Seth's knife, etches a cross into every bullet
in the .45 automatic's last full clip of ammo.
Vampires all start converging on the back room door, getting
their courage back.
Kate makes water balloons.
Scott sharpens the stakes to a point with the tools. Seth
attaches a wooden stake to the end of a jackhammer.
Jacob blesses the water in the squirt guns and balloons,
turning it into holy water.
Our heroes work together, preparing for the battle to come.
The back room door, barricaded with crates and boxes, begins
to be pounded on by the undead on the other side. The room
tone is a combination of chewing, scratching, pounding,
squeaking and screaming.
Finally they're ready.
Jacob turns to his kids.
Before we go any further, I need you
three to promise me something. I'll
fight with you to the bitter end,
but when I turn into one of them, I
won't be Jacob anymore. I'll be a
lap dog of Satan. I want you three
to promise you'll take me down, no
different from the rest.
The kids can't say the words.
Yeah, I promise.
Jacob doesn't believe them.
Why don't I believe you?
(he picks up the .45)
I'm gonna ask you two again, then I
want you to swear to God that you'll
kill me. If you don't, I'm gonna
just kill myself right now. Now,
since you need me I think you better
swear. Kate, do you swear to God
that when I turn into one of the
undead, you'll kill me?
Kate doesn't answer. Jacob places the .45 barrel against his
Kate, we don't have all day, so I'm
only gonna count to five. One...two...
Okay, okay, I promise I'll do it!
Not good enough, swear to God.
I swear to God, our father, that
when you change into one of the
undead, I will kill you.
Good girl. Now, Scott, we have even
less time, so I'm only giving you
the count of three. One...
You don't believe in suicide.
It's not suicide if you're already
Okay, I'll kill you when you change,
I swear to God in Jesus Christ's
Thank you, son.
Okay, vampire killers, let's kill
some fuckin' vampires.
INT. BARROOM - NIGHT
The vampires, bat-things and what have you, start BREAKING
down the door. They are in a mad frenzy. They burst through
Waiting for them are Scott and Kate holding Uzi squirt guns
and water balloons draped down their chests on a belt like
grenades. Jacob is holding a cross made of sharp wooden stakes
and the .45 with the cross bullets. Seth is holding the
jackhammer. The survivors walk out of the back room into the
bar. The vamps back up, letting them inside.
What we have here is a Mexican standoff, a la "The Wild
Bunch." A moment of peace before the battle. The vamps just
watch the humans. The humans just watch the vamps. Then,
like the bull in the china shop, Seth ends the peace by
starting up the jackhammer.
Kill 'em all!
Jacob holds up the cross, the vamps react.
The kids SPRAY the crowd with UZI fire, burning vampire flesh.
The pack of vamps retreat while the Fuller squad walk forward.
They are attacked on all sides, but they keep moving towards
Seth slams the stakes into several of the vamps, it speeds
in and out of vampire chests, each time spraying him in green
Jacob shoves his cross stake into a vampire with one hand
and SHOOTS three vampires with blessed bullets with the other.
Flame BURSTS from the vampires' chests when the bullets hit.
Kate and Scott both whip water balloons off their belts and
toss them into the crowd.
They burst and FRY several of the vamps, who fall, screaming
From its perch on a wood ceiling beam, a bat-thing drops and
HURLS toward the group.
Jacob sees it, raises his gun and FIRES.
The bat-thing bursts into a ball of screaming fire.
Seth continues carving a path to the front door by slamming
the hammer stake into vampire chests.
The front door is barricaded again by a big table and other
Why did they block the door again?
To keep the daylight out! This is
where they sleep! Get to the door!
Seth tries to get to the front door, when Sex Machine, now a
half bat, half devil vamp, about six foot seven, drops from
above in front of him. Seth RAMS the stake in its chest. The
Sex Machine-thing screams out, LIFTING the hammer and Seth
off the ground.
Seth is thrown from his hold on the hammer across the room,
he CRASHES into a table.
The Sex Machine-thing falls back with the jackhammer sticking
out of his chest, dead.
Kate, spraying Uzi fire like Rambo, sees Seth fall. She
Seth quickly gets up to find himself surrounded by vampires
on all sides. With no weapons, he puts up his dukes.
Okay, dead boys, come on! Take a
bite and feel all right!
Kate clusters with her father and Scott.
I'm going for 'em!
Everybody goes home!
Kate turns into a squirt gun firing, water-balloon throwing,
one-woman army, as she breaks from her father and heads in
Die, monster, die! Die, monster,
Kate mows down the group by Seth, they lie on the floor,
burning in agony. Kate takes Seth's hand and gives him a
couple of water balloons and a stake.
Watch my back!
Cutting through vampires, the two make their way across the
Jacob, firing the .45, takes out several more vampires in
Scott fires the Uzi and chucks more water balloons.
As Jacob fights, all of a sudden the sound goes out. He can't
hear anything. He wonders if he's gone deaf. He starts to
hear the words: "Thirst, thirst, thirst." He notices the
vampires have stopped attacking him. They look at him with
happy smiles on their devilish faces. Fangs begin to grow.
His eyes are yellow.
Scott turns to his dad. He sees his father is a monster.
Jacob, with a devilish grin on his face, GRABS Scott and
sinks his teeth into Scott's forearm. Scott screams bloody
murder as his dad begins to drain him of blood.
Scott takes one of the water balloons he's wearing and SMASHES
it against Jacob's head.
The holy water melts half of Jacob's face away. He lets go
of Scott, screaming, and drops the .45 on the floor.
Scott drops to the ground, picking up the gun. He brings it
up to fire.
A totally evil Jacob, with only half a face, matches stares
with the boy he once called his son.
Scott's eyes turn to steel.
I swear to God, in Jesus Christ's
He FIRES, sending a holy bullet into Jacob's forehead,
creating a hole from which fire shoots out. Jacob's entire
head bursts into flames, then explodes.
From across the room, Kate sees her daddy ignite. She cries
out. In the thick of the battle, Seth yells:
Fight now, cry later.
Kate takes his advice and hits a vamp square in the face
with a holy water balloon, which melts his head.
A bat-thing lands on the back of Scott's neck. He screams as
it bites into him. He drops the .45.
Kate sees Scott get bit.
Oh my god.
Another bat-thing lands on Scott's arm and takes a bite.
She goes to spray them when her Uzi runs out of water.
Now seven bat-things are on Scott biting and sucking blood.
Scott is in agony.
Kill me, Kate!
Kate runs for her brother, does a DIVE and a ROLL, coming up
by the .45, SNATCHING it in one motion and FIRING three times.
One... two... three bat-things are hit, shoot flames, then
all of them EXPLODE, BLOWING UP Scott.
The remaining vamps approach.
All the humans have left is a few bullets and one holy
How many bullets left, kid?
Well, when you run out of weapons,
just start cold cocking 'em. Make
'em sing for their supper.
The two survivors are backed up against a wall. Two bat things
do a Kamikaze dive from the air toward Seth. Seth throws the
holy balloon at them. Direct hit. The two bat-things burst
into flames and spiral to the floor.
The two survivors look at the vampires, who stand before
them. A moment of stillness before the attack. Kate stands
holding the .45, arm outstretched.
Should I use the last bullets on us?
You use 'em on the first couple of
these parasites that try to bite
The vamps begins to close in. Kate lines up the .45 sights
on the face of an approaching vampire.
Seth holds the Uzi like a club, ready to bash in the first
vampire's head that gets in swinging distance.
Beams of sunlight shoot through the holes that Kate shot
through the wall. Approaching vampires burn. The scorched
vamps scream like they've never screamed before.
Shoot more holes!
Kate turns away from the vamps and shoots holes in the wall
behind him, Daylight comes through, providing Kate and Seth
with a safe, lighted area.
The .45's empty.
The vamps hiss and scream at the frustration of not being
able to get at them.
The two survivors hold hands, when...
All of a sudden the door to the Titty Twister is pounded on
from the outside.
The vamps look towards it in horror.
From the other side of the door, we hear a voice with a
I'm looking for my friend. Is Seth
Help us, bash the door. Bash the
Danny, Manny, knock down the door.
The vamps are totally fucking freaked out! They run and fly
around the bar in a panic. Crying, howling, grabbing onto
The front door is TORN apart from shotgun fire coming from
the outside, punching holes the size of basketballs in the
The table in front of the door gives and FALLS forward.
The door caves in and sunlight invades the bar. Many vamps
are instantly fried, bursting into flames.
The Mexican gangster CARLOS and his two henchmen, DANNY and
MANNY, are horrified at what they see. They cross themselves
Vampires search for dark corners, but all is lost. Sunlight
hits a mirrored ball attached to the ceiling, sending hundreds
of beams of sunlight scattering through the room. Vamps try
and dodge the beams. No dice. All around the vamps combust
in fiery explosions.
The Titty Twister is now on fire, burning out of control.
Seth and Kate run through the building and leap through the
door into the parking lot.
EXT. TITTY TWISTER PARKING LOT - MORNING
Carlos, Danny and Manny help them to their feet and walk
them away from the blazing bar. They catch their breath by
What the fuck was going on in there?
Seth signals Carlos to wait a minute while he catches his
breath. Then he hauls off and PUNCHES Carlos square in the
kisser. Danny and Manny aim their shotguns at Seth.
Whatsamatter with you? Are you crazy?
Why the fuck, outta all the god
forsaken shit holes in Mexico, did
you have us rendezvous at that place?
I don't know, one place's as good as
Have you ever been there before?
No, but I passed by it a couple of
times. It's out in the middle of
nowhere. It seems like a rowdy place,
so there wouldn't be a lot of police.
And it's open from dusk till dawn.
You said meet you in the morning.
Well, because you picked that place
out of a hat, my brother's dead now.
And this girl's family's dead.
Carlos stands up again.
I'm sorry to hear that. What were
Did they look like psychos? They
were fuckin' vampires. Psychos don't
explode when sunlight hits 'em, I
don't care how crazy they are.
Danny and Manny react to the vampire news by crossing
Oh, Seth, how can I ever make it up
You can't, but fifteen percent instead
of thirty for my stay at El Ray is a
Jesus Christ, Carlos, my brother's
dead and he's not coming back, and
it's all your fault. Twenty.
They look at each other, then shake hands, saying in unison.
SETH AND CARLOS
Seth gets the suitcase and gives Carlos 25%. Seth walks over
to a red 1990 Porsche 911.
You like the car?
I said new, this is an '90.
It's hardly been used at all. I got
it from a drug dealer who only drove
it 5 times in as many years. Swear
to God. That's like new.
So do I just follow you?
Yeah, follow us.
So let's do it.
(to Danny and Manny)
Carlos, Danny and Manny pile into Carlo's white Mercedes.
Seth by his Porsche, looks back at Kate.
Kate stands alone.
The whole desert seems between them.
So much to say... but no words.
Seth turns his back on her. Just as he opens the door, Kate
says behind him:
Seth turns around.
You want some company?
Kate honey, I may be a bastard. But
I'm not a fuckin' bastard.
He blows her a kiss across the desert.
She blows one back.
Seth's in his car and GONE.
Kate turns around, faces endless desert before her, and begins
her long walk home.
THEME OF MOVIE BEGINS POUNDING
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