"Clerks" by Kevin Smith INT: BEDROOM. EARLY-MORNING HOURS A DOG sleeps on a neatly made bed. A CLOCK reads twenty to six. A SHELF OF BOOKS holds such classics as Dante's Inferno, Beyond Good and Evil, The Catcher in the Rye, and The Dark Knight Returns. A FRAMED DIPLOMA, dusty and unkempt, hangs askew on the wall. A snapshot of a girl is stuck in the corner, and a bra weighs one end down. A PHONE sits quietly atop a bundle of laundry. It suddenly explodes with a resounding ring-once, twice, three times. A CLOSET DOOR swings open, and a half-clad figure falls out. THE PHONE rings yet again, and a hand falls upon the receiver, yanking it off the trash can, O.C. THE RUMPLED FIGURE lays with his back to the camera, phone in hand. FIGURE (groggily) Hello... What?... No, I don't work today... I'm playing hockey at two. THE DOG yawns and shakes its head. FIGURE (O.S.) Why don't you call Randal?... Because I'm fucking tired... I just closed last night... (deep sigh) Jesus... What time are you going to come in?... Twelve... Be there be twelve?... Swear... A PICTURE OF A GIRL leans against a trophy. The picture is decorated with a Play-Doh beard and mustache. FIGURE (O.S.) Swear you'll be in by twelve and I'll do it... Twelve... Twelve or I walk. THE PHONE RECEIVER slams into the cradle. THE RUMPLED FIGURE slowly sits up and remains motionless. He musses his hair and stands. THE DOG stands and wags its tail. A hand pats its head. The Rumpled Figure lays down on the bed. We now see his face. It is the face of DANTE and this is Dante's room; this is Dante's life. DANTE grabs the dog and wrestles it. DANTE Next time, I get the bed. He releases the dog and sits up. DANTE (exhausted) Shit. CUT TO: INT: BATHROOM. MINUTES LATER A steaming shower fills the room. The dog licks water from the toilet. CUT TO: INT: KITCHEN. MINUTES LATER A towel-dressed DANTE opens the fridge and peers inside. He grabs a half-empty gallon of milk and closes the door. CUT TO: INT: KITCHEN. SECONDS LATER Chocolate milk mix is heaped into a tumbler. One scoop, two scoops, three scoops, four scoops. CUT TO: INT: BEDROOM. A MINUTE LATER DANTE gulps his breakfast while feeling inside the closet for some clothes. Some chocolate milk spills on the floor. THE DOG laps at the small puddle of chocolate milk. CUT TO: INT: HALLWAY. MINUTES LATER DANTE'S feet are hastily covered. A hand grabs keys from atop a VCR. CUT TO: EXT: DRIVEWAY. MINUTES LATER A car backs out of the driveway and speeds down the street. CUT TO: EXT: CONVENIENCE STORE. MORNING The car pulls up, with a screech. Feet descend to the ground from the open door. Keys jam into a lock and pop it open. CUT TO: DANTE lifts the metal shutter revealing the door. He opens it and grabs two bundles of papers, throwing them inside the store. CUT TO: INT: CONVENIENCE STORE. MORNING A very dark room barely lit by the daylight. Suddenly, the lights flick on, revealing the glorious interior of the convenience store. THE CAT looks at DANTE as he passes the camera quickly. THE PAPER BUNDLE is snapped open with a knife. Newspapers slam into the appropriate racks. One rack remains empty. A coffee filter is placed in a metal pot. Ground coffee follows, and the mix is shoved into place in the coffeemaker. The switch is flicked and the machine comes to life. The empty newspaper rack with the heading ASBURY PARK PRESS seems out of place among all the other stacks of papers. DANTE rubs his chin and stares, puzzled. He rolls his eyes as it occurs to him. DANTE Shit. The register pops open, and a hand extracts a quarter. CUT TO: EXT: CONVENIENCE STORE. MORNING POV: NEWSPAPER MACHINE Through murky glass and thin metal grating, we see DANTE approach. He stops and drops a quarter in the slot. He pulls the door down, finally allowing us a clear view as he reaches toward the camera. DANTE pulls a stack of newspapers from the Asbury Park Press vending machine. He struggles to hold them all in one hand as he lets the door slam shut. He turns to walk away, but the sound of the quarter dropping into the change slot stops him. He takes a step back to grab the coin. CUT TO: INT: CONVENIENCE STORE. MORNING The papers drop into the once-empty rack with a resounding flop. The quarter drops back into the register drawer. CUT TO: EXT: CONVENIENCE STORE. MORNING DANTE tries to jam the key into the window shutter lock. He looks down at it. DANTE Shit! The lock is gummed up with gum or something hard and obtrusive like gum, preventing the key from being inserted. DANTE looks around and kicks the shutter angrily. The car trunk pops open and a hand reaches inside, pulling out a folded white sheet. CUT TO: INT: CONVENIENCE STORE. MORNING A can of shoe polish is grabbed from the shelf. DANTE dips his fingers into the shoe polish and writes large letters on the unfurled sheet, leaning on the cooler. CUT TO: EXT: CONVENIENCE STORE. MORNING DANTE stands on a garbage can and tucks a corner of the sheet under the awning. He jumps down. The banner reads I ASSURE YOU, WE'RE OPEN. The door sign shifts from CLOSED to OPEN. CUT TO: INT: CONVENIENCE STORE. MORNING The clock reads 6:20. DANTE leans behind the counter, the morning routine completed. He stares ahead, catatonic, then drops his head in his hands. The day has begun. CUT TO: EXT: CONVENIENCE STORE. DAY The store, with its makeshift banner looming in the dim morning hour, just after dawn. A car drives by. CUT TO: INT: CONVENIENCE STORE. DAY DANTE waits on a customer (ACTIVIST) buying coffee. DANTE Thanks. Have a good one. ACTIVIST Do you mind if I drink this here? DANTE Sure. Go ahead. The ACTIVIST leans on a briefcase and drinks his coffee. Another CUSTOMER leans in the door. CUSTOMER Are you open? DANTE Yeah. CUSTOMER Pack of cigarettes. ACTIVIST Are you sure? CUSTOMER Am I sure? ACTIVIST Are you sure? CUSTOMER Am I sure about what? ACTIVIST Do you really want to buy those cigarettes? CUSTOMER Are you serious? ACTIVIST How long have you been smoking? CUSTOMER (to DANTE) What is this, a poll? DANTE Beats me. ACTIVIST How long have you been a smoker? CUSTOMER Since I was thirteen. The ACTIVIST lifts his briefcase onto the counter. He opens it and extracts a sickly-looking lung model. ACTIVIST I'd say you're about nineteen, twenty, am I right? CUSTOMER What the hell is that? ACTIVIST That's your lung. By this time, your lung looks like this. CUSTOMER You're shittin' me. ACTIVIST You think I'm shitting you... The ACTIVIST hands him something from the briefcase. CUSTOMER What's this? ACTIVIST It's a trach ring. It's what they install in your throat when throat cancer takes your voice box. This one came out of a sixty-year-old man. CUSTOMER (drops ring) Unnhh! ACTIVIST (picks up the ring) He smoked until the day he died. Used to put the cigarette in this thing and smoke it that way. DANTE Excuse me, but... ACTIVIST This is where you're heading. A cruddy lung, smoking through a hole in your throat. Do you really want that? CUSTOMER Well, if it's already too late... ACTIVIST It's never too late. Give those cigarettes back now, and buy some gum instead. (grabs nearby pack, reads) Here. Chewlies Gum. Try this. CUSTOMER It's not the same. ACTIVIST It's cheaper than cigarettes. And it certainly beats this. Hands him a picture. CUSTOMER Jesus! ACTIVIST It's a picture of a cancer-ridden lung. Keep it. CUSTOMER (to DANTE) I'll just take the gum. DANTE Fifty-five. ACTIVIST You've made a wise choice. Keep up the good work. The CUSTOMER exits. DANTE Maybe you should take that coffee outside. ACTIVIST No, I think I'll drink it in here, thanks. DANTE If you're going to drink it in here, I'd appreciate it if you'd not bother the customers. ACTIVIST Okay. I'm sorry about that. Another CUSTOMER comes up to the counter. CUSTOMER Pack of cigarettes. (looks at model) What's that? ACTIVIST This? How long have you been smoking? CUT TO: EXT: CONVENIENCE STORE. DAY A blank wall. JAY steps into the frame, followed by SILENT BOB. JAY pulls off his coat and swings it into the arms of SILENT BOB. JAY then throws down with a makeshift slam dance, spinning his arm and fake-hitting SILENT BOB. JAY WE NEED SOME TITS AND ASS! YEAH! SILENT BOB lights a smoke. JAY I feel good today, Silent Bob. We're gonna make some money! And then you know what we're going to do? We're going to go to that party and get some pussy! I'm gonna fuck this bitch, that bitch... (Blue Velvet Hopper) I'LL FUCK ANYTHING THAT MOVES! SILENT BOB points to something off-screen. JAY (to O.C.) What you looking at?! I'll kick your fucking ass! (to SILENT BOB) Doesn't that motherfucker still owe me ten bucks? SILENT BOB nods. JAY Tonight, you and me are going off that fucker's head, and take out his fucking soul! Remind me if he tries to buy something from us, to cut it with leafs and twigs... or fucking shit in the motherfucker's bag! Some girls walk past. JAY smiles at them. JAY Wa sup sluts? (to SILENT BOB) Damn Silent Bob! You one rude motherfucker! But you're cute as hell. (slowly drops to knees) I wanna go down on you, and suckle you. (makes blow job neck- jerks) And then, I wanna line up three more guys, and make like a circus seal... JAY makes blow job faces down an imaginary line of guys, looking quite like a performing seal. He throws a little humming sound behind each nod. He then hops up quickly. JAY Ewwww! You fucking faggot! I fucking hate guys! (yelling) I LOVE WOMEN! (calmer) Neh. A GUY comes up to them. GUY You selling? JAY (all business) I got hits, hash, weed, and later on I'll have 'shrooms. We take cash, or stolen MasterCard and Visa. CUT TO: INT: CONVENIENCE STORE. DAY A SMALL CROWD gathers around the ACTIVIST as he orates. It has become something of a rally. ACTIVIST You're spending what? Twenty, thirty dollars a week on cigarettes. LISTENER 1 Forty. LISTENER 2 Fifty-three. ACTIVIST Fifty-three dollars. Would you pay someone that much money every week to kill you? Because that's what you're doing now, by paying for the so-called privilege to smoke! LISTENER 3 We all gotta go sometime... ACTIVIST It's that kind of mentality that allows this cancer-producing industry to thrive. Of course we're all going to die someday, but do we have to pay for it? Do we have to actually throw hard-earned dollars on a counter and say, "Please, please, Mister Merchant of Death, sir; please sell me something that will give me bad breath, stink up my clothes, and fry my lungs." LISTENER 1 It's not that easy to quit. ACTIVIST Of course it's not; not when you have people like this mindless cretin so happy and willing to sell you nails for your coffin! DANTE Hey, now wait a sec... ACTIVIST Now he's going to launch into his rap about how he's just doing his job; following orders. Friends, let me tell you about another bunch of hate mongers that were just following orders: they were called Nazis, and they practically wiped a nation of people from the Earth... just like cigarettes are doing now! Cigarette smoking is the new Holocaust, and those that partake in the practice of smoking or sell the wares that promote it are the Nazis of the nineties! He doesn't care how many people die from it! He smiles as you pay for your cancer sticks and says, "Have a nice day." DANTE I think you'd better leave now. ACTIVIST You want me to leave? Why? Because somebody is telling it like it is? Somebody's giving these fine people a wake-up call?! DANTE You're loitering in here, and causing a disturbance. ACTIVIST You're the disturbance, pal! And here... (slaps a dollar on the counter) I'm buying some... what's this?... Chewlie's Gum. There. I'm no longer loitering. I'm a customer, a customer engaged in a discussion with other customers. LISTENER 2 (to DANTE) Yeah, now shut up so he can speak! ACTIVIST Oh, he's scared now! He sees the threat we present! He smells the changes coming, and the loss of sales when the nonsmokers finally demand satisfaction. We demand the right to breathe cleaner air! LISTENER 3 Yeah! ACTIVIST We'd rather chew our gum than embrace slow death! Let's abolish this heinous practice of sucking poison, and if it means ruffling the feathers of a convenience store idiot, then so be it! DANTE That's it, everybody out. ACTIVIST We're not moving! We have a right, a constitutional right, to assemble and be heard! DANTE Yeah, but not in here. ACTIVIST What better place than this? To stamp it out, you gotta start at the source! DANTE Like I'm responsible for all the smokers! ACTIVIST The ones in this town, yes! You encourage their growth, their habit. You're the source in this area, and we're going to shut you down for good! For good, cancer-merchant! The small crowd begins to chant and jeer in DANTE's face. CROWD Cancer merchant! Cancer merchant! Cancer merchant! VERONICA enters and surveys the mess. The CROWD throws cigarettes at DANTE, pelting him in the face. Suddenly, a loud blast is heard, and white powder explodes over the throng. Everyone turns to face... VERONICA as she stands in one of the freezer cases, holding a fire extinguisher. VERONICA Who's leading this mob? The CROWD looks among themselves. Someone points to O.C. SOMEONE That guy. The ACTIVIST carries his briefcase surreptitiously toward the door. VERONICA (O.S.) Freeze. VERONICA jumps off the freezer case, training the nozzle of the extinguisher on the ACTIVIST. VERONICA Let's see some credentials. He reaches into his briefcase. She pokes the extinguisher nozzle at him, warningly. VERONICA Slowly... He pulls out a business card and hands it to her. She reads it. VERONICA You're a Chewlie's Gum representative? He nods. VERONICA And you're stirring up all this antismoking sentiment to... what?... sell more gum? He nods again. VERONICA (through gritted teeth) Get out of here. He quickly flees. She blasts him with more chemical as he exits. VERONICA (to the crowd) And you people: Don't you have jobs to go to? Get out of here and go commute. The CROWD sheepishly exits, one by one, offering apologetic glances. DANTE tries to regain his composure. VERONICA watches the crowd disperse, disgusted. VERONICA You oughta be ashamed of yourselves. Easily led automatons. Try thinking for yourself before you pelt and innocent man with cigarettes. The last of the crowd exits. VERONICA sets the fire extinguisher down next to DANTE. DANTE is sitting on the floor, head in his folded arms. VERONICA It looked like Tiananmen Square in here for a second. DANTE is silent. VERONICA "Thank you, Veronica; you saved me from an extremely ugly mob scene." DANTE remains silent. VERONICA (sits beside him) Okay, champ. What's wrong? DANTE lifts his head and shoots her a disgusted look. VERONICA All right, stupid question. But don't you think you're taking this a bit too hard? DANTE Too hard?! I don't have enough indignities in my life-people start throwing cigarettes at me! VERONICA At least they weren't lit. DANTE I hate this fucking place. VERONICA Then quit. You should be going to school anyway... DANTE Please, Veronica. Last thing I need is a lecture at this point. VERONICA All I'm saying is that if you're unhappy you should leave. DANTE I'm not even supposed to be here today! VERONICA I know. I stopped by your house and your mom said you left at like six or something. DANTE The guy got sick and couldn't come in. VERONICA Don't you have a hockey game at two? DANTE Yes! And I'm going to play like shit because I didn't get a good night's sleep! VERONICA Why did you agree to come in then? DANTE I'm only here until twelve, then I'm gone. The boss is coming in. VERONICA Why don't you open the shutters and get some sunlight in here? DANTE Somebody jammed the locks with gum. VERONICA You're kidding. DANTE Bunch of savages in this town. VERONICA You look bushed. What time did you get to bed? DANTE I don't know-like two-thirty, three. VERONICA What were you doing up so late? DANTE (skirting) Hunhh? Nothing. VERONICA (persistent) What were you doing? DANTE Nothing! Jesus! I gotta fight with you now? VERONICA Who's fighting? Why are you so defensive? DANTE Who's defensive? Just... Would you just hug me?! All right? Your boyfriend was accosted by an angry mob, and he needs to be hugged. She stares at him. DANTE What? What is that? VERONICA She called you, didn't she? DANTE Oh, be real! Would you... Would you please hug me? I just went through a very traumatic experience and I haven't been having the best day so far. Now come on. VERONICA stares at him. DANTE What? What's with that look?! I wasn't talking to anyone, especially her! Look at you, being all sort of... I don't know... stand-offish. VERONICA looks away. DANTE Fine. You don't trust me, don't hug me. I see how it is. All right Pissy- pants, you just go on being suspicious and quiet. I don't even want to hug you at this point. VERONICA looks back at him. DANTE (pleadingly) Give you a dollar? CUT TO: INT: CONVENIENCE STORE. DAY A NOTE on the counter next to a small pile of money reads: PLEASE LEAVE MONEY ON THE COUNTER. TAKE CHANGE WHEN APPLICABLE. BE HONEST. DANTE and VERONICA are slumped on the floor, behind the counter. VERONICA holds DANTE in her arms, his head on her chest. Change is heard hitting the counter. DANTE (to O.C. customer) Thanks. The door is heard opening and closing - a customer leaving. VERONICA How much money did you leave up there? DANTE Like three dollars in mixed change and a couple of singles. People only get the paper of coffee this time of morning. VERONICA You're trusting. DANTE Why do you say that? VERONICA How do you know they're taking the right amount of change? Or even paying for what they take? DANTE Theoretically, people see money on the counter and nobody around, they think they're being watched. VERONICA Honesty through paranoia. Why do you smell like shoe polish? DANTE I had to use shoe polish to make that sign. The smell won't come off. VERONICA Do you think anyone can see us down here? DANTE Why? You wanna have sex or something? VERONICA (sarcastic) Ooh! Can we?! DANTE Really? VERONICA I was kidding. DANTE Yeah, right. You can't get enough of me. VERONICA Typically male point of view. DANTE How do you figure? VERONICA You show some bedroom proficiency, and you think you're gods. What about what we do for you? DANTE Women? Women, as lovers, are all basically the same: they just have to be there. VERONICA "Be there?" DANTE Making a male climax is not all that challenging: insert somewhere close and preferably moist; thrust; repeat. VERONICA How flattering. DANTE Now, making a woman cum... therein lies a challenge. VERONICA Oh, you think so? DANTE A girl makes a guy cum, it's standard. A guy makes a girl cum, it's talent. VERONICA And I actually date you? DANTE Something wrong? VERONICA I'm insulted. Believe me, Don Juan, it takes more than that to get a guy off. Just "being there"-as you put it-is not enough. DANTE I touched a nerve. VERONICA I'm astonished to hear you trivialize my role in our sex life. DANTE It wasn't directed at you. I was making a broad generalization. VERONICA You were making a generalization about "broads!" DANTE These are my opinions based on my experiences with the few women who were good enough to sleep with me. VERONICA How many? DANTE How many what? VERONICA How many girls have you slept with? DANTE How many different girls? Didn't we already have this discussion once? VERONICA We might have; I don't remember. How many? DANTE Including you? VERONICA It better be up to and including me. DANTE (pause to count) Twelve. VERONICA You've slept with twelve different girls? DANTE Including you; yes. Pause. She slaps him. DANTE What the hell was that for? VERONICA You're a pig. DANTE Why'd you hit me? VERONICA Do you know how many different men I've had sex with? DANTE Do I get to hit you after you tell me? VERONICA Three. DANTE Three? VERONICA Three including you. DANTE You've only had sex with three different people? VERONICA I'm not the pig you are. DANTE Who? VERONICA You! DANTE No; who were the three, besides me? VERONICA John Franson and Rob Stanslyk. DANTE (with true admiration) Wow. That's great. That's something to be proud of. VERONICA I am. And that's why you should feel like a pig. You men make me sick. You'll sleep with anything that says yes. DANTE Animal, vegetable, or mineral. VERONICA Vegetable meaning paraplegic. DANTE They put up the least amount of struggle. VERONICA After dropping a bombshell like that, you owe me. Big. DANTE All right. Name it. VERONICA I want you to come with me on Monday. DANTE Where? VERONICA To school. There's a seminar about getting back into a scholastic program after a lapse in enrollment. DANTE Can't we ever have a discussion without that coming up? VERONICA It's important to me, Dante. You have so much potential that just goes to waste in this pit. I wish you'd go back to school. DANTE Jesus, would you stop? You make my head hurt when you talk about this. VERONICA stands, letting DANTE'S head hit the floor. DANTE Shit! Why are we getting up? VERONICA Unlike you, I have a class in forty- five minutes. A handsome young man (WILLAM) is standing at the counter. VERONICA reacts to him. VERONICA (surprised) Willam! WILLAM Ronnie! How are you? You work here now? VERONICA (locks arms with DANTE) No, I'm just visiting my man. (to DANTE) Dante, this is Willam Black. (to WILLAM) This is Dante Hicks, my boyfriend. DANTE How are you? Just the soda? WILLAM And a pack of cigarettes. (to VERONICA; paying) Are you still going to Seton Hall? VERONICA No, I transferred into Monmouth this year. I was tired of missing him. (squeezes DANTE'S arm) WILLAM Do you still talk to Sylvan? VERONICA I just talked to her on Monday. We still hang out on weekends. WILLAM (leaving) That's cool. Well-you two lovebirds take it easy, all right? VERONICA I will. Take it easy. WILLAM Bye. (exits) VERONICA Bye (to DANTE) That was Snowball. DANTE Why do you call him that? VERONICA Sylvan made it up. It's a blow job thing. DANTE What do you mean? VERONICA After he gets a blow job, he likes to have the cum spit back into his mouth while kissing. It's called snowballing. DANTE He requested this? VERONICA He gets off on it. DANTE Sylvan can be talked into anything. VERONICA Why do you say that? DANTE Like you said-she snowballed him. VERONICA Sylvan? No; I snowballed him. DANTE Yeah, right. VERONICA I'm serious... A moment of silence as DANTE'S chuckles fade to comprehension. DANTE You sucked that guy's dick? VERONICA Yeah. How do you think I know he liked... DANTE (panicky) But... but you said you only had sex with three guys! You never mentioned him! VERONICA That's because I never had sex with him! DANTE You sucked his dick! VERONICA We went out a few times. We didn't have sex, but we fooled around. DANTE (massive panic attack) Oh my God! Why did you tell me you only slept with three guys? VERONICA Because I did only sleep with three guys! That doesn't mean I didn't just go with people. DANTE Oh my God-I feel so nauseous... VERONICA I'm sorry, Dante. I thought you understood. DANTE I did understand! I understand that you slept with three different guys, and that's all you said. VERONICA Please calm down. DANTE How many? VERONICA Dante... DANTE How many dicks have you sucked?! VERONICA Let it go... DANTE HOW MANY? VERONICA All right! Shut up a second and I'll tell you! Jesus! I didn't freak like this when you told me how many girls you fucked. DANTE This is different. This is important. How many?! She counts silently, using fingers as marks. DANTE waits on a customer in the interim. VERONICA stops counting. DANTE Well...? VERONICA (half-mumbled) Something like thirty-six. DANTE WHAT? SOMETHING LIKE THIRTY-SIX? VERONICA Lower your voice! DANTE What the hell is that anyway, "something like thirty-six?" Does that include me? VERONICA Um. Thirty-seven. DANTE I'M THIRTY-SEVEN? VERONICA (walking away) I'm going to class. DANTE Thirty-seven?! (to CUSTOMER) My girlfriend sucked thirty-seven dicks! CUSTOMER In a row? DANTE chases VERONICA down and grabs her by the door. DANTE Hey! Where are you going?! VERONICA Hey listen, jerk! Until today you never even knew how many guys I'd slept with, because you never even asked. And then you act all nonchalant about fucking twelve different girls. Well, I never had sex with twelve different guys! DANTE No, but you sucked enough dick! VERONICA Yeah, I went down on a few guys... DANTE A few? VERONICA ...And one of those guys was you! The last one, I might add, which-if you're too stupid to comprehend- means that I've been faithful to you since we met! All the other guys I went with before I met you, so, if you want to have a complex about it, go ahead! But don't look at me like I'm the town whore, because you were plenty busy yourself, before you met me! DANTE (a bit more rational) Well... why did you have to suck their dicks? Why didn't you just sleep with them, like any decent person?! VERONICA Because going down it's a big deal! I used to like a guy, we'd make out, and sooner or later I'd go down on him. But I only had sex with the guys I loved. DANTE I feel sick. VERONICA (holds him) I love you. Don't feel sick. DANTE Every time I kiss you now I'm going to taste thirty-six other guys. VERONICA violently lets go of him. VERONICA I'm going to school. Maybe later you'll be a bit more rational. DANTE (pause) Thirty-seven. I just can't... VERONICA Goodbye, Dante. She exits in a huff. DANTE stands there in silence for a moment. Then he swings the door open and yells out. DANTE Try not to suck any more dicks on your way through the parking lot! Two men who were walking in the opposite direction outside double back and head in the direction. VERONICA went. DANTE HEY! HEY, YOU! GET BACK HERE! CUT TO: INT: CONVENIENCE STORE. DAY A videocassette encased in the customary black box flips repeatedly, held by an impatient grasp. The IMPATIENT CUSTOMER glares at DANTE. Dante studies a copy of Paradise Lost, making a strong attempt at not noticing the glare. IMPATIENT CUSTOMER (pissed off) I thought that place was supposed to be opened at eleven o'clock? It's twenty after! DANTE I called his house twice already. He should be here soon. IMPATIENT CUSTOMER It's not like it's a demanding job. I'd like to get paid to sit on my ass and watch TV. The other day I walked in there and that sonofabitch was sleeping. DANTE I'm sure he wasn't sleeping. IMPATIENT CUSTOMER You calling me a liar? DANTE No; he was probably just resting his eyes. IMPATIENT CUSTOMER What the hell is that? Resting his eyes! It's not like he's some goddamned air traffic controller! DANTE Actually, that's his night job. IMPATIENT CUSTOMER Such a wiseass. But go ahead. Crack wise. That's why you're jockeying a register in some fucking local convenience store instead of doing an honest day's work. (tosses tape on counter) I got no more time to bullshit around waiting for that sonofabitch. You make sure this gets back. The number's eight-twelve-Wynarski. And I wanted to get a damn movie, too. DANTE If you'll just tell me the title of your rental choice, I'll have him hold it for you. IMPATIENT CUSTOMER (storming out) Don't hurt yourself. I'm going to Big Choice Video instead. He storms out. Dante lifts a ring of keys from the counter. DANTE (in a whisper) You forgot your keys. The half-filled trash can swallows the ring of keys. CUT TO: EXT: CONVENIENCE STORE. DAY Another VIDEO-ANXIOUS CUSTOMER leans against the video store door. A hapless RANDAL drifts by and stops. He glances at the door, peers inside, and gives the door a tug. V.A. CUSTOMER The guy ain't here yet. RANDAL You're kidding. It's almost eleven- thirty! V.A. CUSTOMER I know. I've been here since eleven. RANDAL (kicks the door) Man! I hate it when I can't rent videos! V.A. CUSTOMER I would've went to Big Choice, but the tape I want is right there on the wall. RANDAL Which one? V.A. CUSTOMER Dental School. RANDAL You came for that too? That's the movie I came for. V.A. CUSTOMER I have first dibs. RANDAL Says who? V.A. CUSTOMER (suddenly snotty) Says me. I've been here for half an hour. I'd call that first dibs. RANDAL Ain't gonna happen, my friend. I'm getting that tape. V.A. CUSTOMER Like hell you are! RANDAL I'll bet you twenty bucks you don't get to rent that tape. V.A. CUSTOMER Twenty bucks? RANDAL Twenty bucks. V.A. CUSTOMER All right, asshole, you're on. RANDAL walks away. The VERY ANXIOUS CUSTOMER stands like a sentry at post. The IMPATIENT CUSTOMER storms up. IMPATIENT CUSTOMER You see a pair of keys lying around here somewhere? CUT TO: INT: CONVENIENCE STORE. DAY RANDAL dances in, attempting a soft-shoe routine. He sees DANTE and stops dead, midshuffle. DANTE You're late. RANDAL What the hell are you doing here? I thought you were playing hockey at one. DANTE The boss called. Arthur fell ill. RANDAL Why are the shutters closed? DANTE Someone jammed gum in the locks. RANDAL Bunch of savages in this town. DANTE That's what I said. RANDAL Shit, if I'd known you were working, I would've come even later. A pile of videocassettes is plopped onto the counter, with a single key on top. RANDAL balances the pile of tapes on his head. RANDAL What time do you have to stay till? DANTE He assured me that he'd be here by twelve. RANDAL What smells like shoe polish? DANTE Go open the sore. CUT TO: EXT: CONVENIENCE STORE. DAY The IMPATIENT CUSTOMER stops RANDAL. IMPATIENT CUSTOMER Hey-did you see a set of keys lying around here? RANDAL (as Short-round) No time for love, Doctor Jones! RANDAL marches off. The IMPATIENT CUSTOMER stares after him. IMPATIENT CUSTOMER Fucking kids. The VERY ANXIOUS CUSTOMER now sits on the ground, next to the video store door. RANDAL balances his burden and shoves the key into the lock. The VERY ANXIOUS CUSTOMER stares as RANDAL enters the store. The door closes behind him, only to be held ajar in a gentlemanly fashion a few moments later. RANDAL smiles. CUT TO: INT: CONVENIENCE STORE. DAY A coffee filter is shoved into the metal pan and someone heaps ground coffee on it. We've seen this same routine before. DANTE crosses back to his post, as RANDAL enters, tossing the key into the air happily and catching it. He picks the cat up. RANDAL Some guy just came in refusing to pay late fees. He said the store was closed for two hours yesterday. I tore up his membership. DANTE Shocking abuse of authority. RANDAL I'm a firm believer in the philosophy of a ruling class, especially since I rule. (furtively) Is the Pelican flying? DANTE Don't screw with it. It makes us look suspicious. RANDAL I can't stand a voyeur. I'll be back. RANDAL heads toward the walk-in door. CUT TO: INT: BACK ROOM. DAY POV: VCR A far-away wall is the only thing we see, but mild gruntings give away an ascension of sorts. RANDAL'S head rises into view, as if he's climbing a ladder. He stops and looks into the lens. POV: RANDAL The PELICAN is a VCR that's hooked up to a surveillance camera. It records quickly. A hand reaches into the frame and shuts it off. CUT TO: INT: CONVENIENCE STORE. DAY RANDAL pulls a soda from the cooler. RANDAL Want something to drink? I'm buying. DANTE (O.S.) No, thanks. RANDAL Who was on your phone this morning at about two-thirty? I was trying to call for a half an hour. DANTE (O.S.) Why? RANDAL I wanted to use your car. He walks by a row of snacks and grabs one without looking at it. RANDAL Snake cake? DANTE sits in his seat behind the register. RANDAL grabs a paper and joins him behind the counter. DANTE You don't want to know. RANDAL You called Caitlin again? DANTE She called me. RANDAL Did you tell Veronica? DANTE One fight a day with Veronica is about all I can stomach, thanks. RANDAL What do you two fight about? DANTE I guess it's not really fighting. She just wants me to leave here, go back to school, get some direction. RANDAL (opening paper) I'll bet the most frequent topic of arguments is Caitlin Bree. DANTE You win. RANDAL I'm going to offer you some advice, my friend: let the past be the past. Forget Caitlin Bree. You've been with Veronica for how long now? DANTE Seven months. RANDAL Chick's nuts about you. How long did you date Caitlin? DANTE Five years. RANDAL Chick only made you nuts. She cheated on you how many times? DANTE Eight and a half. RANDAL (looks up from paper) Eight and a half? DANTE Party at John K's-senior year. I get blitzed and pass out in his bedroom. Caitlin comes in and dives all over me. RANDAL That's cheating? DANTE In the middle of it, she calls me Brad. RANDAL She called you Brad? DANTE She called me Brad. RANDAL That's not cheating. People say crazy shit during sex. One time, I called this girl "Mom." DANTE I hit the lights and she freaks. Turns out she thought I was Brad Michaelson. RANDAL What do you mean? DANTE She was supposed to meet Brad Michaelson in a bedroom. She picked the wrong one. She had no idea I was even at the party. RANDAL Oh, my God. DANTE Great story, isn't it? RANDAL That girl was vile to you. DANTE Interesting postscript to that story: Do you know who wound up going with Brad Michaelson in the other dark bedroom? RANDAL Your mother. DANTE Allan Harris. RANDAL Chess team Allan Harris?! DANTE The two moved to Idaho together after graduation. They raise sheep. RANDAL That's frightening. DANTE It takes different strokes to move the world. RANDAL In light of this lurid tale, I don't see how you could even romanticize your relationship with Caitlin-she broke your heart and inadvertently drove men to deviant lifestyles. DANTE Because there was a lot of good in our relationship. RANDAL Oh yeah. DANTE I'm serious. Aside from the cheating, we were a great couple. That's what high school's all about-algebra, bad lunch, and infidelity. RANDAL You think things would be any different now? DANTE They are. When she calls me now, she's a different person-she's frightened and vulnerable. She's about to finish college and enter the real world. That's got to be scary for anyone. RANDAL (suddenly recalling) Oh shit, I've got to place an order. DANTE I'm talking to myself here. RANDAL No, no, I'm listening. She's leaving college, and...? DANTE ...and she's looking to me for support. And I think that this is leading our relationship to a new level. RANDAL What about Veronica? DANTE I think the arguments Veronica and I are having are some kind of manifestation of a subconscious desire to break away from her so that I can pursue the possibility of a more meaningful relationship with Caitlin. RANDAL Caitlin's on the same wave-length? DANTE I think it's safe to say yes. RANDAL Then I think all four of you had better sit down and talk it over. DANTE All four? RANDAL You, Veronica, Caitlin... (lays paper flat) ...and Caitlin's fiancé. THE HEADLINE of the engagement announcement reads, BREE TO WED ASIAN DESIGN MAJOR. CUT TO: INT: VIDEO STORE. DAY RANDAL dials the phone. He holds a list in his hand. RANDAL Yes, I'd like to place an order, please... Thank you. A MOTHER and her SMALL CHILD approach the counter. MOTHER Excuse me, but do you sell videotapes? RANDAL What were you looking for? MOTHER (smiling) It's called Happy Scrappy-The Hero Pup. SMALL CHILD Happy Scrappy! RANDAL I'm on the phone with the distribution house now. Let me make sure they have it. What's it called again? MOTHER Happy Scrappy-The Hero Pup. SMALL CHILD Happy Scrappy! MOTHER (more smiling) She loves the tape. RANDAL Obviously. (to phone) Yes, hello; this is R.S.T. Video calling. Customer number four- three-five-zero-two-nine. I'd like to place an order... Okay... I need one each of the following tapes: Whisper in the Wind, To Each His Own, Put it Where It Doesn't Belong, My Pipes Need Cleaning, All Tit- Fucking, Volume Eight, I Need Your Cock, Ass-Worshipping Rim-Jobbers, My Cunt and Eight Shafts, Cum Clean, Cum-Gargling Naked Sluts, Cum Buns Three, Cumming in a Sock, Cum on Eileen, Huge Black Cocks with Pearly White Cum, Slam It Up My Too-Loose Ass, Ass Blasters in Outer Space, Blowjobs by Betsy, Sucking Cock and Cunt, Finger My Ass, Play with my Puss, Three on a Dildo, Girls Who Crave Cock, Girls Who Crave Cunt, Men Alone Two-The K.Y. Connection, Pink Pussy Lips, and All Holes Filled with Hard Cock. Oh, and... (to MOTHER) What was the name of that movie? MOTHER (nearly dazed) Happy Scrappy-The Hero Pup. RANDAL (on phone) And a copy of Happy Scrappy-The Hero Pup... Okay, thanks. (hangs up; to MOTHER) Sixteen forty-nine. It'll be here Monday. Silence. Then... SMALL CHILD Cunt! CUT TO: INT: CONVENIENCE STORE. DAY DANTE carries a litter box to be dumped. He pauses midstrike and lays it on the ice cream chest. DANTE picks up the phone and looks at the paper. He dials and waits. _ DANTE Yes, I'd like to check on a misprint in today's edition... Today's edition... It says "Bree to Wed Asian Design Major... No, no; everything's spelled fine. I just wanted to know if the piece was a misprint... I don't know, like a typographical error or something... A CUSTOMER comes to the counter and waits. He looks at the litter box. A black cat suddenly jumps into it and starts pawing around. DANTE (O.S.) Maybe it's supposed to be Caitlin Bray, or Caitlin Bre, with one e... I'm a curious party... A curious party... DANTE ON THE PHONE: DANTE ...I'm an ex-boyfriend... Well, it's just that we talk all the time, and she never mentioned this engagement, which is why I'm thinking maybe it's a misprint... The CUSTOMER watches as the cat takes a huge dump, leaning on its haunches to accommodate the stinky load. DANTE (O.S.) ...Are you sure?... Maybe there's like a vindictive printer working for you... DANTE ON THE PHONE: DANTE Meaning like someone who maybe-I don't know-asked her out once and got shot down, and his revenge is throwing this bogus article in when the paper went to press... Hello?... Hello? DANTE hangs up. He looks at the paper ruefully, shaking his head. He then sniffs the air. CUT TO: EXT: CONVENIENCE STORE. DAY JAY, SILENT BOB and OLAF lean against wall. JAY "Not in me." That's what she says. I gotta pull out and spank it to get it on. So I blow a nut on her belly, and I get out of there, just as my uncle walks in. It was such a close call. I tell you what, though, I don't care if she is my cousin, I'm gonna knock those boots again tonight. TWO GIRLS join them. JAY Oh shit, look who it is. The human vacuum. GIRL 1 Scumbag. What are you doing? JAY Nothing. Just hanging out with Silent Bob and his cousin. GIRL 1 (to SILENT BOB) He's your cousin? JAY Check this out, he's from Russia. GIRL 1 No way. JAY I swear to God. Silent Bob, am I lying? SILENT BOB SHAKES HIS HEAD: JAY See? And Silent Bob never told a lie in his life. GIRL 2 What part of Russia? JAY I don't fucking know. What am I, his biographer? (to OLAF) Olaf, what part of Russia are you from? OLAF looks quizzically at SILENT BOB. SILENT BOB (in Russian) Home. OLAF (comprehending) Moscow. GIRL 1 He only speaks Russian? JAY He knows some English, but he can't not speak it good like we do. GIRL 2 Is he staying here? JAY He's moving to the big city next week. He wants to be a metal singer. GIRL 1 No way! JAY Swear. (to OLAF) Olaf, metal! OLAF makes a metal face. JAY That's his fucking metal face. (to OLAF) Olaf, girls nice? OLAF looks the girls up and down. OLAF Skrelnick. JAY (laughs) That's fucked up. GIRL 1 What did he say? JAY I don't know, man. He's a fucking character. GIRL 2 He really wants to play metal? JAY He's got his own band in Moscow. It's called "Fuck Your Yankee Blue Jeans" or something like that. GIRL 1 That doesn't sound metal. JAY You gotta hear him sing. (to OLAF) Olaf, "Berserker!" OLAF laughs and shakes his head. JAY Come on, man, "Berserker!" GIRL 2 Does he sing in English or Russian? JAY English. (to OLAF) Come on, "Berserker!" Girls think sexy. OLAF (relents) Da. Da. JAY He's gonna sing it. This is too funny. OLAF (in broken English) MY LOVE FOR YOU IS LIKE A TRUCK BERSERKER! WOULD YOU LIKE SOME MAKING FUCK? BERSERKER! JAY (laughing) That's fucking funny, man! GIRL 1 Did he say "making fuck?" JAY Wait, there's more. (to OLAF) Olaf: sing... (makes pot-smoking face) OLAF (nods in understanding) MY LOVE FOR YOU IS LIKE A ROCK BERSERKER!WOULD YOU LIKE TO SMOKE SOME POT? BERSERKER! OLAF busts a crimson metal sneer and cackles deeply. CUT TO: INT: VIDEO STORE. DAY RANDAL leans back in his chair, staring up at the TV. The theme to Star Wars plays. He stands, points the remote, clicks the TV off, and ponders. CUT TO: EXT: VIDEO STORE. DAY RANDAL locks the door and walks away, while OLAF sings for the small crowd. OLAF MY LOVE FOR YOU IS TICKING CLOCK BERSERKER!WOULD YOU LIKE TO SUCK MY COCK? BERSERKER! CUT TO: INT: CONVENIENCE STORE. DAY DANTE is tugging at a can of Pringles potato chips. The can is stuck on a MAN'S hand. DANTE You hold the counter and I'll pull. MAN Usually I just turn the can upside down. DANTE (pulling) Maybe we should soap your hand or something. MAN (straining) They oughta put some kind of warning on these cans, like they do with cigarettes. DANTE I think it's coming now... The can pops off and DANTE staggers back a few steps. The man rubs his hand. MAN Thanks. I thought I was gonna have to go to the hospital. DANTE I'll throw this out. Precautionary measure. MAN It stings a little. DANTE A word of advice: Sometimes it's best to let those hard to reach chips go. DANTE steps behind the counter. MAN Thanks. The MAN exits as RANDAL enters. DANTE throws the canister away. DANTE Do you know that article is accurate? Caitlin's really getting married! RANDAL You know what I just watched? DANTE Me pulling a can off some moron's fist. RANDAL Return of the Jedi. DANTE Didn't you hear me? Caitlin really is getting married. RANDAL Which did you like better: Jedi or The Empire Strikes Back. DANTE (exasperated) Empire. RANDAL Blasphemy. DANTE Empire had the better ending: Luke gets his hand cut off, and finds out Vader's his father; Han gets frozen and taken away by Boba Fett. It ends on such a down note. And that's life-a series of down endings. All Jedi had was a bunch of Muppets. RANDAL There was something else going on in Jedi. I never noticed it until today. RANDAL follows DANTE as he cleans up around the store. DANTE What's that? RANDAL All right, Vader's boss... DANTE The Emperor. RANDAL Right, the Emperor. Now the Emperor is kind of a spiritual figure, yes? DANTE How do you mean? RANDAL Well, he's like the pope for the dark side of the Force. He's a holy man; a shaman, kind of, albeit an evil one. DANTE I guess. RANDAL Now, he's in charge of the Empire. The Imperial government is under his control. And the entire galaxy is under Imperial rule. DANTE Yeah. RANDAL Then wouldn't that logically mean that it's a theocracy? If the head of the Empire is a priest of some sort, then it stands to reason that the government is therefore one based on religion. DANTE It would stand to reason, yes. RANDAL Hence, the Empire was a fascist theocracy, and the rebel forces were therefore battling religious persecution. DANTE More or less. RANDAL The only problem is that at no point in the series did I ever hear Leia or any of the rebels declare a particular religious belief. DANTE I think they were Catholics. A BLUE-COLLAR MAN half enters the door. BLUE-COLLAR MAN Are you open? DANTE Yeah. Come in. He goes to the coffee machine and makes a cup of joe. RANDAL You know what else I noticed in Jedi? DANTE There's more? RANDAL So they build another Death Star, right? DANTE Yeah. RANDAL Now the first one they built was completed and fully operational before the Rebels destroyed it. DANTE Luke blew it up. Give credit where it's due. RANDAL And the second one was still being built when they blew it up. DANTE Compliments of Lando Calrissian. RANDAL Something just never sat right with me the second time they destroyed it. I could never put my finger on it-something just wasn't right. DANTE And you figured it out? RANDAL Well, the thing is, the first Death Star was manned by the Imperial army- storm troopers, dignitaries-the only people onboard were Imperials. DANTE Basically. RANDAL So when they blew it up, no prob. Evil is punished. DANTE And the second time around...? RANDAL The second time around, it wasn't even finished yet. They were still under construction. DANTE So? RANDAL A construction job of that magnitude would require a helluva lot more manpower than the Imperial army had to offer. I'll bet there were independent contractors working on that thing: plumbers, aluminum siders, roofers. DANTE Not just Imperials, is what you're getting at. RANDAL Exactly. In order to get it built quickly and quietly they'd hire anybody who could do the job. Do you think the average storm trooper knows how to install a toilet main? All they know is killing and white uniforms. DANTE All right, so even if independent contractors are working on the Death Star, why are you uneasy with its destruction? RANDAL All those innocent contractors hired to do a job were killed- casualties of a war they had nothing to do with. (notices Dante's confusion) All right, look-you're a roofer, and some juicy government contract comes your way; you got the wife and kids and the two-story in suburbia-this is a government contract, which means all sorts of benefits. All of a sudden these left-wing militants blast you with lasers and wipe out everyone within a three-mile radius. You didn't ask for that. You have no personal politics. You're just trying to scrape out a living. The BLUE-COLLAR MAN joins them. BLUE-COLLAR MAN Excuse me. I don't mean to interrupt, but what were you talking about? RANDAL The ending of Return of the Jedi. DANTE My friend is trying to convince me that any contractors working on the uncompleted Death Star were innocent victims when the space station was destroyed by the rebels. BLUE-COLLAR MAN Well, I'm a contractor myself. I'm a roofer... (digs into pocket and produces business card) Dunn and Reddy Home Improvements. And speaking as a roofer, I can say that a roofer's personal politics come heavily into play when choosing jobs. RANDAL Like when? BLUE-COLLAR MAN Three months ago I was offered a job up in the hills. A beautiful house with tons of property. It was a simple reshingling job, but I was told that if it was finished within a day, my price would be doubled. Then I realized whose house it was. DANTE Whose house was it? BLUE-COLLAR MAN Dominick Bambino's. RANDAL "Babyface" Bambino? The gangster? BLUE-COLLAR MAN The same. The money was right, but the risk was too big. I knew who he was, and based on that, I passed the job on to a friend of mine. DANTE Based on personal politics. BLUE-COLLAR MAN Right. And that week, the Foresci family put a hit on Babyface's house. My friend was shot and killed. He wasn't even finished shingling. RANDAL No way! BLUE-COLLAR MAN (paying for coffee) I'm alive because I knew there were risks involved taking on that particular client. My friend wasn't so lucky. (pauses to reflect) You know, any contractor willing to work on that Death Star knew the risks. If they were killed, it was their own fault. A roofer listens to this... (taps his heart) not his wallet. The BLUE-COLLAR MAN exits. DANTE and RANDAL remain respectfully quiet for a moment. An angry WOMAN opens the door and pokes her head in. WOMAN Is that video store open or not? CUT TO: INT: VIDEO STORE. DAY RANDAL reads a newspaper. An INDECISIVE CUSTOMER studies the two rental choices she holds. She looks from one movie to the other repeatedly. INDECISIVE CUSTOMER (attempting a solicit help) They say so much, but they never tell you if it's any good. RANDAL hardly stirs and continues to read his paper. The INDECISIVE CUSTOMER half turns to see if her comment was even heard. She tries again, but this time with a different approach. INDECISIVE CUSTOMER Are either of these any good? RANDAL continues to read. The INDECISIVE CUSTOMER tries harder, then louder and more direct: INDECISIVE CUSTOMER Sir! RANDAL continues to read. RANDAL (flatly) What. The INDECISIVE CUSTOMER holds up her rental choices. INDECISIVE CUSTOMER (politely) Are either of these any good? RANDAL, as always, reads on. RANDAL (again, flatly) I don't watch movies. The INDECISIVE CUSTOMER is a tad flabbergasted, but not put off. INDECISIVE CUSTOMER Well, have you heard anything about either of them? RANDAL does his level best to not get involved. RANDAL (reading) No. The INDECISIVE CUSTOMER challenges him. INDECISIVE CUSTOMER (in disbelief) You've never heard anybody say anything about either movie? RANDAL (O.S.) I find it's best to stay out of other people's affairs. INDECISIVE CUSTOMER (with a new determination) Well, how about these two movies? (holds up the same two) RANDAL continues to read his paper, not looking up. RANDAL They suck. The INDECISIVE CUSTOMER smirks smugly at RANDAL and his paper. She has caught him. INDECISIVE CUSTOMER I just held up the same two movies. You're not even paying attention. RANDAL No, I wasn't. INDECISIVE CUSTOMER I don't think your manager would appreciate... RANDAL (turning the page) I don't appreciate your ruse, ma'am. INDECISIVE CUSTOMER I beg your pardon! RANDAL (reading on) Your ruse. Your cunning attempt to trick me. INDECISIVE CUSTOMER (defending herself) I only pointed out that you weren't paying any attention to what I was saying. RANDAL (turning page and reading) I hope it feels good. INDECISIVE CUSTOMER You hope what feels good? RANDAL I hope it feels so good to be right. There is nothing more exhilarating than pointing out the shortcomings of others, is there? The INDECISIVE CUSTOMER wears a face that belies utter disbelief in the audacity of this most lackadaisical video clerk. The unmoving newspaper illustrates the total disinterest of the news-hungry RANDAL. The INDECISIVE CUSTOMER shakes her head in disgust and throws the movies back onto the wall. INDECISIVE CUSTOMER (in a huff) Well this is the last time I ever rent here... RANDAL You'll be missed. INDECISIVE CUSTOMER (losing it altogether) Screw you! She storms out. RANDAL is offended. He hops over the counter and whips the door open. RANDAL (calling after her) You're not allowed to rent here anymore! RANDAL closes the door and stands there, momentarily, totally appalled by her exiting remark, then shakes his head. RANDAL Screw me! He reaches behind the counter and grabs a ring of keys. Exiting, he locks the door behind him from the outside, gives it a tug to ensure its security, and storms off in the opposite direction from the woman. CUT TO: INT: CONVENIENCE STORE. DAY DANTE is staring, open-mouthed, at something O.C. RANDAL hurls the door open and immediately launches into his tirade. RANDAL You'll never believe what this unruly customer just said... DANTE (a hand up to urge him to hush) Wait. RANDAL (looking around) She's in here? DANTE This guy is going through all of the eggs. Look. An ODD MAN sits on the floor, surrounded by cartons of eggs, all opened. He grabs a carton from the cooler case, pops it open, and examines each egg carefully. DANTE (O.S.) This has been going on for twenty minutes. RANDAL and DANTE study the O.C. oddity. RANDAL What's he looking for? DANTE He said he has to find a perfect dozen. RANDAL Perfect dozen. DANTE Each egg has to be perfect. RANDAL The quest isn't going well? DANTE Obviously not. Look at all the cartons that didn't make the grade. The ODD MAN holds an egg up to the light and studies it from several different angles. RANDAL (O.S.) Why doesn't he just mix and match? DANTE I told him that and he yelled at me. RANDAL snickers at his friend. RANDAL What did he say? DANTE He said it was important to have standards. He said nobody has pride anymore. RANDAL It's not like you laid the eggs yourself. DANTE I'll give him five more minutes then I'm calling the cops. I don't need this, man. I'm not even supposed to be here today. A SMOKER steps in. SMOKER Two packs of cigarettes. Dante manages to break his study of the O.C. oddity and searches for the smokes. The smoker glances at RANDAL and then at the O.C. oddity. The ODD MAN is spinning an egg on the floor. The SMOKER looks at RANDAL. RANDAL (Still staring at the ODD MAN) I'm as puzzled as you. SMOKER (paying DANTE) I've actually seen it before. DANTE You know him? SMOKER No, I've seen that behavior before. Looking for the perfect carton of eggs, right? RANDAL (a bit astonished) Yeah. How'd you know? SMOKER I'll bet you a million bucks that the guy's a guidance counselor. DANTE Why do you say that? SMOKER I was in the Food City last year when the same thing happened, different guy though. Stock boy told me that the guy had been looking through the eggs for like half an hour, doing all sorts of endurance tests and shit. I ask the kid how come nobody called the manager, and he says it happens twice a week, sometimes more. RANDAL Get out of here. SMOKER I kid you not. They call it Shell Shock. Only happens with guidance counselors for some reason. The kid said they used to make a big deal about it, but there's no point. The ODD MAN places a handkerchief over an egg on the floor. He quickly whisks the handkerchief away to reveal the egg still sitting on the floor. SMOKER (O.S.) He said they always pay for whatever they break and they never bother anybody. DANTE, RANDAL and the SMOKER stare at the O.C. man. DANTE Why guidance counselors? SMOKER If your job served as little purpose as theirs, wouldn't you lose it, too? RANDAL Come to think of it, my guidance counselor was kind of worthless. SMOKER (grabbing matches) See? It's important to have a job that makes a difference, boys. That's why I kill Chinamen for the railroad. CUT TO: INT: CONVENIENCE STORE. DAY POV RANDAL: THE EMPTY COUNTER And then a LITTLE GIRL comes into view, smiling and holding money. She can't be any more than five. LITTLE GIRL (innocently) Can I have a pack of cigarettes? RANDAL, without looking up from his magazine, completes the transaction. THE LITTLE GIRL puts a cigarette in her mouth. RANDAL hands her matches. DANTE returns to the counter as the girl skips away. Dante holds a price gun. DANTE Did you ever notice all the prices end in nine? Damn, that's eerie. RANDAL You know how much money the average jizz-mopper make per hour? DANTE What's a jizz-mopper? RANDAL He's the guy in those nudie-booth joints who cleans up after each guy that jerks off. DANTE Nudie booth? RANDAL Nudie booth. You've never been in a nudie booth? DANTE I guess not. A female CUSTOMER pops items onto the counter. DANTE rings her up. RANDAL Oh, it's great. You step into this little booth and there's this window between you and this naked woman, and she puts on this little show for like ten bucks. DANTE What kind of show? RANDAL Think of the weirdest, craziest shit you'd like to see chicks do. These chicks do it all. They insert things into any opening in their body... any opening. (to customer) He's led a very sheltered life. DANTE (indicating CUSTOMER) Can we talk about this later? RANDAL The jizz-mopper's job is to clean up the booths afterward, because practically everybody shoots a load against the window, and I don't know if you know or not, but cum leaves streaks if you don't clean it right away. CUSTOMER (grabbing her bag, disgusted) This is the last time I come to this place. DANTE Excuse me? CUSTOMER Using filthy language in front of the customers... you should both get fired. DANTE We're sorry, ma'am. We got a little carried away. CUSTOMER Well, I don't know if sorry can make up for it. I found your remarks highly offensive. The CUSTOMER stands silently, awaiting something. RANDAL Well, you think that's offensive... RANDAL flips open the magazine's centerfold-a graphic picture of a woman with her vaginal lips and anus spread wide open. RANDAL ...then check this out. I think you can see her kidneys. RANDAL checks out the centerfold wistfully. DANTE frantically apologizes to the rapidly exiting CUSTOMER. DANTE Ma'am, ma'am, I'm sorry! Please, wait a second, ma'am... The CUSTOMER is gone. DANTE'S pursuit stops at the counter. DANTE turns on RANDAL. DANTE Why do you do things like that? You know she's going to come back and tell the boss. RANDAL Who cares? That lady's an asshole. Everybody that comes in here is way too uptight. This job would be great if it wasn't for the fucking customers. DANTE I'm gonna hear it tomorrow. RANDAL You gotta loosen up, my friend. You'd feel a hell of a lot better if you'd rip into the occasional customer. DANTE What for? They don't bother me if I don't bother them. RANDAL Liar! Tell me there aren't customers that annoy the piss out of you on a daily basis. DANTE There aren't. RANDAL How can you lie like that? Why don't you vent? Vent your frustration. Come on, who pisses you off? DANTE (reluctantly) It's not really anyone per se, it's more of separate groupings. RANDAL Let's hear it. DANTE (pause) The milkmaids. RANDAL The milkmaids? INSERT: MILK HANDLER A WOMAN pulls out gallon after gallon, looking deep into the cooler for that perfect container of milk. DANTE (O.S.) The women that go through every gallon of milk looking for a later date. As if somewhere-beyond all the other gallons-is a container of milk that won't go bad for like a decade. END INSERT RANDAL You know who I can do without? I could do without the people in the video store. DANTE Which ones? RANDAL All of them. MONTAGE INSERT #1/VIDEO JERKS A series of people addressing the camera, asking the dumb questions. FIRST What would you get for a six-year- old boy who chronically wets his bed? SECOND (in front of stocked new release shelf) Do you have any new movies in? THIRD Do you have that one with the guy who was in that movie that was out last year? END INSERT RANDAL And they never rent quality flicks; they always pick the most intellectually devoid movie on the rack. MONTAGE INSERT #2/"Ooooh!..." An identical series of customers finding their ideal choices. FIRST Ooooh! Home Alone! SECOND Ooooh! Hook! THIRD Ooooh! Navy Seals! END INSERT RANDAL It's like in order to join, they have to have an IQ less than their shoe size. DANTE You think you get stupid questions? You should hear the barrage of stupid questions I get. MONTAGE INSERT #3/DUMB QUESTIONS A series of people standing in various locations throughout the convenience store, asking truly dumb questions. FIRST (holding coffee) What do you mean there's no ice? You mean I've gotta drink this coffee hot?! SECOND (holding up item from clearly marked $.99 display) How much? THIRD (peeking in door) Do you sell hubcaps? END INSERT RANDAL See? You vented. Don't you feel better now? DANTE No. RANDAL Why not? DANTE Because my ex-girlfriend is getting married. RANDAL Jesus, you got a one-track mind. It's always Caitlin, Caitlin, Caitlin... DANTE (jerking head toward door) Veronica! DANTE gives RANDAL a shove to shut him up. VERONICA enters the store, carrying books and something covered with aluminum foil. VERONICA What happened to home by twelve? DANTE is suddenly by her side, taking the books from under her arm. DANTE He still hasn't shown up. Why aren't you in class? VERONICA Lit 101 got canceled, so I stopped home and brought you some lunch. DANTE What is it? VERONICA Peanut butter and jelly with the crusts cut off. What do you think it is? It's lasagne. DANTE Really? (kisses her forehead) You're the best. VERONICA I'm glad you've calmed down a bit. (to RANDAL) Hi, Randal. RANDAL (O.S.) (exaggeratively impressed) Thirty-seven! DANTE (to O.C.) Shut up! (to VERONICA) Yes, I've calmed down, I'm still not happy about it, but I've been able to deal. RANDAL makes loud slurping noises from O.C. DANTE (to O.C.) Why don't you go back to the video store? RANDAL walks past the two, and pats VERONICA on the head. He exits. VERONICA You had to tell him. DANTE I had to tell someone. He put it into perspective. VERONICA What did he say? DANTE At least he wasn't thirty-six. VERONICA And that made you feel better? DANTE And he said most of them are college guys, I